Fire lives in the death of earth, air lives in the death of fire, water lives in the death of air, and earth in the death of water (Heraclitus). Some of these four elements are easier to photograph than others, as a quick trawl of my archives shows. Of water and earth I have many images. But air is much harder to capture, and fire too.
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'Try to travel, otherwise you may become racist, and you may end up believing that your skin is the only one to be right' The above is the opening verse, in translation, of the song Viaggiate by Gio Evan, poet and songwriter. A friend posted it on Facebook and for me it sums up everything that is wonderful and important about travelling.
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One form of public art that really enhances many of our cities are the many fountains to be found in our squares and parks. However I often find myself drawn to photograph these. I like to try to capture the flowing water, or perhaps to pick out interesting details in their sculptural groups.
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Rules are made to be broken, they say. Not necessarily true; if the past two years has taught us anything, it’s the importance of following the rules in particular during a time of emergency. In photography it’s arguably another matter. By breaking the rules we can sometimes create the most impact. But I’m a firm believer that in order to effectively break a photography rule you must first understand it.
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Over breakfast on a damp Parisian morning we discussed our plans for the day. Maybe rather than a walk a museum visit would be a better option, given the weather? This museum occupies the Hôtel Biron, where Rodin lived for the last decade of his life.
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For many years I wanted to visit the Galápagos: to walk on these remote islands where unique species thrive, where Darwin first developed the ideas that would change our understanding of nature, and where animals have never learned to fear humankind. In 2012 I realised my dream; and fortunately, it more than lived up to my expectations!
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On the outskirts of Nairobi is a very special place, where orphaned baby elephants find safety and refuge… Thus I started a blog post last May about the amazing work being done at the David Sheldrick Elephant Orphanage. Imagine how thrilled I was when many of those residents made their way, in sculptural form, to London’s Spitalfields Market!
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It's said that two is company, three a crowd. But when taking wildlife photos I’m always happy to have a third animal join the shot! Designers have long recognised that an odd number of items is more effective at capturing your gaze. Odd numbers force your eyes to move around the group and that forced movement is the heart of visual interest.
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Chowara is a small fishing community in Kerala. While tourism has come to the area, bringing visitors from elsewhere in India and further afield, it remains unspoiled and still focused on that traditional mainstay of its economy, the fish. Our hotel lay right next to the village, so it was easy one morning to forsake the lure of the pool and take a stroll with our cameras.
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Peer at a white flower and you’ll observe nuances of different shades. The same in a white sky, even a field of snow. Light and shade play tricks with the eyes and white turns to grey, to blue, to cream. Perhaps that’s why, when I started to search my archives for ‘white’ images to share for this week’s Sunday Stills challenge, I found the purest whites in manmade objects.
