Irving Penn defined a good photograph as, 'one that communicates a fact, touches the heart and leaves the viewer a changed person for having seen it'. If I can do even one of those three things with an image, I’m satisfied!
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Genovesa, also known by the English name of Tower, is unusual among Galápagos Islands in having not a volcanic cone. Instead most of the volcano is submerged and surrounds an ocean-filled caldera on the south west side of the island. Due to its remote location and lack of fresh water the island was less visited in the past and has remained unaltered by man; there are no introduced species on the island.
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If like me you live in the Northern Hemisphere, there’s something magical in discovering the world of the Southern. Africa in particular seems to draw us to explore, with its vast plains and forests, still-wild spaces, fascinating animals and very different cultures. Maybe too there’s a lingering romantic sense of the continent as an unknown frontier to be opened up, despite the somewhat negative associations attached to our historic explorations there.
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The centre of Cagliari is divided into four districts. While Castello was traditionally the home of the city's nobles, neighbouring Stampace at the foot of the hill was home to its merchants.
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Shapes and lines are important elements in photographic composition, but how often do we stop to consider them? I think I am more aware of lines than I am of shapes, to be honest. I look for leading lines and for dynamic diagonals in particular, but I’m less likely to look for specific shapes.
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There is something rather haunting about standing on a spot occupied by people millennia ago. Stone circles such as that of Stonehenge, the Treasury and other tombs of Petra, the pyramids and temples of Egypt …. Sardinia too offers just such an experience, or rather, 7,000 of them!
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Some people are passionate that black and white is the only true medium for photography, others that a photo without colour is lacking in something. I’m inclined to take a middle stance, as I believe that both have their merits, depending on a number of factors. Subject matter of course, but also time of day, lighting, composition and, perhaps most important, what story you want to tell.
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Cagliari is an ancient city, a city of hills and winding alleyways, of churches and old walls and stunning vistas. It is traditionally divided into four districts, of which Castello is the most historically significant. So where better to start our explorations on our first morning in the city?
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There’s a common mistake most of us make when starting out in photography. We spot an interesting subject, point the camera and take the picture. Great, we think, but what we often fail to do is take notice of what is behind our subject. The problem is that our brain has a habit of filtering out unnecessary information seen by our eyes, but the camera captures everything.
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Over the last few months since our return from Mexico I’ve covered most of the highlights of our trip in a number of posts, from the sights of Mexico City to the ruins of Monte Alban, and from the Copper Canyon to the whales of the Sea of Cortez. But some favourite photos failed to find their way into those posts.
