Red, in Japan, is the colour of the sun (not yellow as in other cultures). It stands for life, power and protection, but also for death. It is thought capable of expelling demons and illness. You see red everywhere; on temple roofs, torii gates at shrines, lanterns and pagodas. And in the bibs and caps worn by the haunting Jizō statues of Kanmangafuchi Abyss in Nikko.
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Red and green should never be seen without a colour in between. Whoever coined that old phrase clearly didn’t have Christmas in mind. Surely there are no two more seasonal colours than red and green?
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The discipline of selecting just seven images for my various #SevenforSeptember Squares posts has been good for me, as I know I sometimes go over the top and present more shots than is really necessary! However, that restriction to seven shots has been the only acknowledgement of the ‘sevens’ theme – until now!
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One possible twist to the usual alternatives of colour or black and white is the use of selective colour. This can look quite gimmicky, so I prefer to keep the colours muted to tone in better with the grey shades.
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Nikko’s Futarasan shrine is only five minutes’ or so walk from its more famous neighbour, Toshogu, but it seemed to us that we were in a different world. The crowds had dissipated, leaving just a handful of tourists and some local families. We strolled around in a much more leisurely way than had been possible at Toshogu, taking photos and soaking up the tranquil atmosphere and the rich colours of the leaves just starting to take on their autumn hues.