Let’s consider how much of your image is occupied by your main subject. Often the answer to that is, quite a lot of it. But you can take this to extremes, either filling the frame completely or leaving lots of empty space around your subject. Both can be effective, in different ways.
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For my next set of Thursday Trios I am focusing on art. I’ve borrowed a quote from Camus, a French author and philosopher, an absurdist and existentialist. I've also arguably borrowed a certain sense of the absurd for this gallery, but I don’t claim it to be philosophical in any sense!
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Try to forget what objects you have before you - a tree, a house, a field, or whatever. Merely think, 'Here is a little square of blue, here an oblong of pink, here a streak of yellow,' and paint it just as it looks to you, the exact colour and shape, until it gives you your own impression of the scene before you.
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Before photographing your subject, it’s worth taking time to think about where you will shoot it from. Our viewpoint has a massive impact on the composition of our photo, and as a result it can greatly affect the message that the shot conveys. As well as shooting from eye level, consider photographing from high above, down at ground level, from the side, from the back, from a long way away, from very close up, and so on.
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Green is the colour of nature, the colour of spring and summer. It is restful on the eye and calming to the soul. I think it must have inspired more poets and authors than any other colour. And there are almost as many shades of green in our world as there are writers to describe them. Or indeed photographers to try to capture and preserve their beauty!
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There are always flowers, and for those of us in the northern hemisphere, especially at this time of year. Is there a photographer anywhere, I wonder, who doesn't want both to see them and to capture them forever?
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I think I have always liked travelling by train. As a child I lived and grew up in London, so journeys on the Underground were regular occurrences. My childhood bedroom looked out across a playing field to Ruislip Gardens station in the depths of so-called Metroland. Of course there were also childhood journeys on ‘real’ trains. Before my father learned to drive and bought our first car we would take an annual trip to the seaside by train, usually to Westgate on Sea in Kent.
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A bird in the hand is worth two in the bush.
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According to Sherlock Holmes, 'There must be something comforting about three. People always give up after three.' Hopefully this isn’t true of architects and builders; we would all be very short of homes, schools, offices, etc. etc. if they were to give up after three!
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Edward Weston said that, 'To consult the rules of composition before making a picture is a little like consulting the law of gravitation before going for a walk.' He is right of course, but that doesn’t mean it isn't helpful to be aware of these ‘rules’.
