I often go on a bit about the weather (I am British after all, and live up to that stereotype at least!) This month has been particularly ‘interesting’ in that respect. We reached pretty much the middle of the month without once seeing the sun, but also without any rain. All we had was gloom!
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Language differences may make it challenging to communicate with the people we meet when travelling, even if we have made the effort to learn a few words. But music transcends spoken languages, and the enjoyment of music becomes a shared experience irrespective of our different native tongues and cultures. It’s the most universal of languages, speaking to all of us no matter from where we come
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No, it isn’t possible to successfully photograph a redwood tree, nor to convey its impact; you have to experience it for yourself. Walking among these groves is unlike any other forest walk. More than by any other trees, we are dwarfed by them, and awed by a palpable sense of their great age. That age, that immense size, their sheer presence; only by being there can we feel those qualities.
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When I travel of course I take plenty of photos of the ‘big’ things I see. The landscapes, the city sights, the famous buildings and monuments, the wildlife, interesting people … The list is, if not endless, at least pretty long. But I’m also on the lookout for quirky details. The sort of thing that would never make it into a guidebook and which I come across by chance.
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Where do the seeds of an idea for a trip start? Maybe in a book or TV programme or a fellow blogger’s post? Maybe a friend comes back from a holiday full of enthusiasm for the place(s) visited? Or maybe you have memories of a place you loved and want to return to, having left so much of it as yet unexplored? For us California was such a place.
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The arrival and consequent colonisation of America by the Spanish and English is well known of course. But the influence of Russia on these north-western coasts is less often mentioned, and was new to me until we visited Fort Ross. The skies were grey, but the sea fret lent an air of mystery to the scenes here that heightened the sense of a journey back in time.
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When we look at a photo our eye is naturally drawn along any lines within it. By thinking about how and where you place any lines in your composition, you can influence the way people view the image, pulling us into the picture, towards the subject, leading us on a journey through the scene.
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Growing up in 1960s London suburbia my imagination was fired by all I saw and heard about hippies. Their lifestyle, their messages of peace, their long flowing skirts and yes, flowers in their hair. So much more appealing than my bottle green school uniform with its regulation skirts just above the knee!
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Our first sight of a potential subject has us reaching for our camera, naturally. And sometimes the first shot we take is great, but often (always?) it could be bettered. We could perhaps find a more interesting angle or move closer to take in the details. I'm illustrating this principle with images taken of the temples and other ancient ruins that surround the town of Siem Reap in Cambodia.
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It is relatively easy to photograph a landscape. It doesn’t move as wildlife does, it doesn’t object as a person may do. But to photograph a landscape and be happy with the result is much more difficult. So often the grandeur of what we see fails to translate itself to the image and we are disappointed that the result doesn’t stir in us, or in others, the feeling we had when we were there. But we keep trying!
