Spring is the most colourful of seasons so how can we best capture its wonders in monochrome? The colours of spring are special to us as we transition from the muted, often monochromatic tones of winter to a vibrant explosion of life and renewal. So what happens if we remove those colours from our photos?
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There is something about a ruin that speaks to me as a photographer. The stories the old structures could tell of people and events from the past sometimes seem more vivid than those of a better-preserved or reconstructed old building. And where better to explore some ruins than among the temples of Angkor in Cambodia?
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I am keeping things simple today with a gallery of some of the beautiful flowers I photographed during our visit to the Philippines. I’m sharing these as a memorial for Cee, a special member of our blogging community whom we sadly lost last month.
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You can live in a city all your life and never uncover all its secrets nor learn all its history. There are always new places to discover and explore. A very recent outing of discovery took me from my home in Ealing, west London, to a park in Abbey Wood on the city’s eastern fringes.
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I wonder whether images ‘choose’ photographers? I think in a way they do, in the sense that any keen photographer will put themselves in the best position for potential pictures to choose them. They know where to go, where (and importantly) how to look.
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The first colour many of us think of when we hear the word ‘night’ might well be black. But as Van Gogh famously reminded us, there are many more colours to be seen then too. And he made his remark before the advent of our brightly lit cities, where many colours are more evident at night than black!
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The Tarsier Conservation Area on Bohol Island in the Philippines is a protected area dedicated to preserving the Philippine tarsier, one of the smallest primates in the world. Known for their strikingly large eyes in a tiny body, these fascinating animals play a vital role in maintaining the island's biodiversity and ecological harmony.
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I am writing this at the end of March and spring seems definitely to have arrived in London. Street trees are in blossom, birds are more active and more vocal, and our garden is awakening. But my ‘story’ starts back in the tail-end of winter, February.
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If a black and white photograph is a 'departure from reality' (and surely it is), then why are so many photographers still drawn to taking them? And what is their appeal for the viewer? Is it merely nostalgia as some have claimed? After all, the oldest among us grew up I'm a world of black and white films, TV and family snapshots.
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‘That’s my village, Bangaan’, said Conchita, pointing to a cluster of houses among the rice terraces far below where we stood on the terrace of a simple roadside restaurant. Peering down through the drizzling rain I could make out a simple church and rooftops of corrugated metal and thatch.
