There have been many times when travelling that I’ve stared up at some steps. I’m not the best at climbing stairs, but the incentives to do so are often great. A wonderful view, an interesting building, a slice of history … Any of these is likely to entice me to climb.
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I would never claim to be the only person to have noticed the things I photograph. But I do believe I often photograph things that not EVERYONE has noticed, or thought to photograph. When I travel I of course photograph the famous sights, the landscapes, the architecture. But I also like to capture small details that, while perhaps not unique to the country, are part of my personal memories of it.
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In the early morning mist we drifted slowly with the current, our boat man using his single oar simply to steer us. Here on the Narayani River, which skirts the northern boundary of Chitwan National Park in Nepal, the setting was beautiful, the atmosphere tranquil.
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When composing photos I find I usually do one of two things. I either follow the ‘rule of thirds’ (roughly) or I look for symmetry. The latter works best for architecture, for portraits (human or animal) and for some close-up and macro shots.
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While I have little interest in cars or motorbikes for themselves, I do find them interesting photographically speaking. And especially so old cars and shiny bikes!
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Every ancient mythology placed significant focus on our sun, recognising it as our essential source of light, heat, and life. Without it we would not exist, nor would anything on this planet. Today we understand the science behind the phenomenon, but to the ancients the reappearance of the sun each morning after the hours of darkness must have seemed like a daily miracle.
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It’s all too easy perhaps to spot something photo-worthy, grab a couple of shots and move on. But I’ve found that the first shot you take, or even the third, is rarely the best. In the ‘old days’ of film photography, most of us could only afford to take two or three shots at most. If you wanted to come away with a memorable image it was important to take your time, walk around the subject and choose the best perspective.
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It seems to me that holding a camera gives a lot of people a sense of freedom. They appear more relaxed, less constrained by their surroundings. So what a great opportunity that is for the rest of us who are also carrying a camera with an eye to some street photography!
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In the ancient streets of Bukhara history weaves itself effortlessly around the present-day lives of its people. Here you get a real sense of continuity. The world of the Silk Road caravans isn’t preserved in the aspic of Khiva; nor tucked into islands among the modern-day bustle of Samarkand; it is an ever-present backdrop to daily life. To walk these streets, duck through the low arches of the caravanserai and trading domes, sit for a while over green tea by the pool of Lyab-i-Huaz; this is what people of this city have done for centuries.
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The electric boat moved almost noiselessly along the Rio Nosara. The birds on the banks seemed largely unaware of our presence. The sounds of the forest were all around us. But suddenly there was a thud somewhere beneath our feet and the boat slowed, then stopped.
