When I travel I am always curious about the people who inhabit the places I visit. I seek to understand their way of life and observe how it differs from, or is similar to, my own. But there are other people who populate my travels, the people who ONCE lived in these lands.
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The oft-quoted line, ‘when a man is tired of London, he is tired of life’ comes from a discussion between Johnson and James Boswell about whether or not Boswell's affection for London would wear thin should he be living there as Johnson did, rather than enjoying the city on occasional visits.
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Photography, like all arts, is a subjective business. We all have our favourites. At times though it seems it’s almost as hard to judge other people’s work as it is our own. Nevertheless, we often do just that.
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One of the (many) things I like to photograph when I travel are the various buildings I see. Buildings tell us so much about how people live, how they work, how they worship. Or, if they are old buildings, how they once lived/worked/worshipped.
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How good are you at self-criticism when it comes to photography? Are you ruthless about discarding less successful shots? And can you easily decide which of several is your best?
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Tina’s proposal that for the last Lens Artists challenge of the year we share some shots taken in 2022 but not yet shared for any of the challenges sounds a simple ask. But I decided to make it harder for myself by searching out some favourite images not yet shared in any post.
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It could be argued that every photograph is a pattern. A flat two-dimensional representation of a scene broken down into shapes, and each shape into pixels. The technology in our cameras stitches the pixels together to reproduce the scene, while we as photographers choose and compose that scene.
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The presence of diagonals in an image creates a sense of movement. Our eyes naturally follow the line to see where it leads. Often diagonals are used to create leading lines, taking the viewer on a journey through an image to a specific point you want to highlight.
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Are there places you know and love which you hesitate to tell others about, because you are tempted to keep them to yourself? Places relatively unknown that you fear might become spoiled if discovered by too many? And yet, they are so lovely you can’t resist singing their praises!
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When I travel I always want not just to capture the big ‘sights’ but also the tiny details. I often photograph something that perhaps could be found anywhere: a leaf, a stone wall, a ripple on the water. But I found it here in THIS place and I want to capture it.
