Where the River Brent flows into the Thames west of London lies the suburb of Brentford. Its name is a clue to the origins of what was once a small settlement pre-dating the Roman occupation of the country. Today, like many London suburbs, it has interesting pockets of history squeezed between more recent and not always attractive developments.
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A recurrent theme in this blog is my contention that people are pretty much the same the world over when it comes to the basics. We all want to feel safe, to have enough to eat and to feel connected to others whom we love. What I have mentioned less often, is that we all also want to have fun from time to time.
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Is there such a thing as an ordinary object? And is ordinary the same for everyone? One thing that travel teaches is that one person’s ordinary can look extraordinary to another. The things we take for granted in our lives, the little things that make life easier, may not be the same in other parts of the world, or may not exist at all, at least for the average family.
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There’s something very photogenic about the strands of seaweed we find on the shore. The colours are often rich, the shapes sensuous and sculptural. When I walk on a beach I often find myself pointing the camera downwards, looking for seaweeds, almost as much as towards the sea.
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When it comes to colours, while the hot shades of red, orange and yellow make a big splash, the cooler ones may be easier to live with as they evoke a sense of calm, serenity, and tranquillity. These are the colours of nature, the sea, the sky, grasslands and forests. Blue is associated with coolness and peace, and green with balance and freshness.
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Photographs are a wonderful way of capturing the world around us. Whether we’re aiming for pure realism or something more creative, for the most part we include recognisable subjects in our images. But without context, photos don't always give a proper sense of scale. They lack the cues, context, and perspective that our eyes and brain use to judge size and distance in the real world.
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What makes an English country garden? Is it the choice of plants? The generously filled herbaceous borders? Perhaps a wall, a gravel or brick path, and a statue or two?
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When I searched for interesting quotes about zigzag lines I was surprised to find relatively few. But of those I found, many talked about journeys, which as a keen traveller appealed to me. After all, aren’t zigzag journeys often the most interesting and rewarding?
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Like many photographers, I find buildings with balconies particularly appealing. Maybe it’s because they add architectural interest to the building? Or maybe because they often provide clues to the people who live there? We see their choice of decorative features and furniture, their plants growing, their washing drying … and sometimes we even see them!
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Photography is all about contrasts of course. Without those variations in lightness and darkness our images would be dull and flat. Whether contrasting black and white in monochrome shots, or harmonising and contrasting the shades in our colour shots, effective contrast is key to a good result. But the term can also relate to our choice of subject matter.
