There’s a common mistake most of us make when starting out in photography. We spot an interesting subject, point the camera and take the picture. Great, we think, but what we often fail to do is take notice of what is behind our subject. The problem is that our brain has a habit of filtering out unnecessary information seen by our eyes, but the camera captures everything.
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Yes, connecting is everything. It is through connecting to others that we find ourselves. And what better way to connect than to travel? But when we meet people from other countries on our travels, it’s usually a fleeting connection at best; valuable but not maintained. My involvement with Virtual Tourist, however, has enabled me to make genuine friends all over the world
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I think we all recognise now that the genie is out of the bottle. Mankind has created AI and now needs to learn how to harness it for good while avoiding the many pitfalls.
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Who doesn’t love flowers? Very few people indeed, I am sure. And by extension, who doesn’t love a flower photo? Of course, no photo can fully convey the beauty, and no scents were ever appreciated through an image.
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A wonderful sense of design pervades the whole of Japan it seems, from architecture to clothing, household items to gardens … Somehow the Japanese know how to balance minimalism with intricate detail, with an apparently effortless emphasis on simple, natural elements.
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Images of a sunrise as the sun reappears over the horizon, a seedling sprouting from barren soil, or a rainbow stretching across the sky are often used to symbolise hope. They represent new beginnings, growth, and the promise of better days ahead.
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Observing or meeting children when we travel I realise that, even more than adults, they have far more in common with each other regardless of where they live than they do any differences. They enjoy play, they seek friendship, they need acceptance and respect. And of course they all need the basics of food, drink, shelter, education.
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While I hope I can say of many of my photos that it ‘tells a story’, I have chosen to call this particular gallery 'Every picture tells a story' for a reason. As a song (and album) title, it fits perfectly with my theme, mixing images with music.
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We can photograph our subject simply as it is, a faithful record. We can get creative, perhaps using black and white or playing with tone and structure, to produce an image close to the original but not purely representational of it. Or we can interpret the subject with such freedom that it becomes something other than it once was, an abstraction.
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How does it feel to stand in the middle of a living geology lesson? To see for yourself the many ways the world’s surface has been shaped over the millennia into often fantastical shapes? Go to Iceland, and you will find out. There almost every view tells you something about the power of fire or water to carve, split or even destroy rock.
