Some photographic subjects are obvious candidates for black and white, others seem better suited to colour. But sometimes it’s interesting to choose a subject or destination that appears to cry out for colour and experiment with some monochrome edits. The results may surprise you!
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Warm colours, such as reds, oranges, and yellows, are often associated with energy, passion, and warmth, evoking feelings of excitement and vibrancy. In photography they leap off the page or screen. It’s hard to ignore a warm-shaded image! The deeper warm shades suggest cosiness and comfort, while the brighter ones are sunny and cheerful.
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In a photo our eyes instinctively take a walk along a line to see where it leads. When it leads to a focal point in the image we talk about leading lines. But wherever they lead, lines can add so much interest to a photo.
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I don’t know about you, but logic tells me that there is no more reason to make a resolution to do something better / more / less on the first of January than on any other day of the year. And also that there is no more reason to believe we will succeed in sticking to that resolution then rather than on a different date.
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At this time of year night is longer than day here in the northern hemisphere. But days are now perceptibly lengthening. Does more daylight mean more opportunities for photography? Perhaps, but the night can be a rewarding time too, of course.
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How often have you gazed at a stunning landscape, pulled out the camera to capture its beauty, and been disappointed with the results? All too frequently, flat lighting and dull weather can make the scene look so much less inspiring to the camera lens than it did to your eyes.
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I’ve had several exchanges of comments with blogger friends about the merits or otherwise of editing flower shots in monochrome. Some, like me, find the textures and shapes attractive, while others bemoan the loss of colour.
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All through the centuries powerful rulers have erected monuments and building that demonstrate their own sense of self-importance and yes, their narcissism. ‘Look at me, see how mighty I am’, these structures seem to say. And at the time those rulers were indeed mighty. But time passes and their power with it
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What is it that attracts photographers to capture so many doors and windows? Is it because they stand out from the rest of the building? Is it something less conscious, being drawn to exits and entrances as offering adventure (or a way out)?
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If it is true that light is the key to photography, surely it is especially the case that it is key to drama in photography. The most dramatic photos are often those with the most interesting light, and with strong contrasts between light and dark.
