Observing or meeting children when we travel I realise that, even more than adults, they have far more in common with each other regardless of where they live than they do any differences. They enjoy play, they seek friendship, they need acceptance and respect. And of course they all need the basics of food, drink, shelter, education.
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While not exactly stormy, spring this year has definitely been wet and quite often cooler than normal. Yes, there have been odd days when it felt like winter was well behind us, with warm sunshine giving us all a lift. But within a couple of days the clouds had descended, the thermometer dropped, and the rain returned.
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If you cannot see a feeling, how can you photograph it? The answer is, by proxy. You photograph something that will evoke that feeling in the viewer, and/or you photograph a person evidently displaying that feeling.
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While I hope I can say of many of my photos that it ‘tells a story’, I have chosen to call this particular gallery 'Every picture tells a story' for a reason. As a song (and album) title, it fits perfectly with my theme, mixing images with music.
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'When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.' I find it hard to believe that I haven’t used that quote from Ansel Adams before!
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We can photograph our subject simply as it is, a faithful record. We can get creative, perhaps using black and white or playing with tone and structure, to produce an image close to the original but not purely representational of it. Or we can interpret the subject with such freedom that it becomes something other than it once was, an abstraction.
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When I told people we were going to Mexico, a frequent piece of advice was, make sure you visit Oaxaca. It’s beautiful, they said, and the food is amazing! The advice however was unnecessary, as the city was already on my must-see list. And Oaxaca de Juárez, to give it its full name, definitely lived up to my expectations.
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It would be unusual if we weren’t motivated to pick our camera when we see a beautiful flower, an awe-inspiring landscape, an attractive or characterful person, an elegant building. But it would be a shame to restrict our photography only to those more obvious subjects. We can also look for the photogenic in everyday objects, looking at them with fresh eyes to appreciate their forms and textures.
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How does it feel to stand in the middle of a living geology lesson? To see for yourself the many ways the world’s surface has been shaped over the millennia into often fantastical shapes? Go to Iceland, and you will find out. There almost every view tells you something about the power of fire or water to carve, split or even destroy rock.
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How do you feel about editing photos? Do you believe that the image you take should be the only one you present to the world? That it’s wrong to mess with the reality of what you saw? Or are you perhaps happy to tweak a shot a little, straightening a horizon or cropping out that person who wandered into it as you pressed the shutter?
