No, it isn’t possible to successfully photograph a redwood tree, nor to convey its impact; you have to experience it for yourself. Walking among these groves is unlike any other forest walk. More than by any other trees, we are dwarfed by them, and awed by a palpable sense of their great age. That age, that immense size, their sheer presence; only by being there can we feel those qualities.
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When I travel of course I take plenty of photos of the ‘big’ things I see. The landscapes, the city sights, the famous buildings and monuments, the wildlife, interesting people … The list is, if not endless, at least pretty long. But I’m also on the lookout for quirky details. The sort of thing that would never make it into a guidebook and which I come across by chance.
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Where do the seeds of an idea for a trip start? Maybe in a book or TV programme or a fellow blogger’s post? Maybe a friend comes back from a holiday full of enthusiasm for the place(s) visited? Or maybe you have memories of a place you loved and want to return to, having left so much of it as yet unexplored? For us California was such a place.
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When we look at a photo our eye is naturally drawn along any lines within it. By thinking about how and where you place any lines in your composition, you can influence the way people view the image, pulling us into the picture, towards the subject, leading us on a journey through the scene.
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Growing up in 1960s London suburbia my imagination was fired by all I saw and heard about hippies. Their lifestyle, their messages of peace, their long flowing skirts and yes, flowers in their hair. So much more appealing than my bottle green school uniform with its regulation skirts just above the knee!
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Our first sight of a potential subject has us reaching for our camera, naturally. And sometimes the first shot we take is great, but often (always?) it could be bettered. We could perhaps find a more interesting angle or move closer to take in the details. I'm illustrating this principle with images taken of the temples and other ancient ruins that surround the town of Siem Reap in Cambodia.
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It is relatively easy to photograph a landscape. It doesn’t move as wildlife does, it doesn’t object as a person may do. But to photograph a landscape and be happy with the result is much more difficult. So often the grandeur of what we see fails to translate itself to the image and we are disappointed that the result doesn’t stir in us, or in others, the feeling we had when we were there. But we keep trying!
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When we stayed in Ferndale in northern California in late September the town was already going mad for Halloween. As we walked along the one main street decorators were out adorning shop fronts with orange bunting, placing numerous skeletons on all the buildings, and chatting to business owners about their own additions to the town’s displays. Of course it was all in fun, not to scare!
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The master of word invention was Lewis Carroll whose works are liberally scattered with these portmanteau words, that is, words that combine two different words to make something new.
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Mono Lake is a graphic reminder of the consequences of human activity for the natural world. In 1941, the Los Angeles Department of Water & Power (DWP) began diverting water from Mono Lake's tributary streams, sending it 350 miles south to meet the growing water demands of Los Angeles. The impact on the lake was dramatic.
