Like many photographers I have a fascination with doors in general and the details of doors in particular. And as soon as I started to explore Cartagena I realised what a wealth of such subject matter it would provide! The streets of its old town are lined with handsome buildings from the Spanish colonial era, most of them with equally handsome front doors.
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Four indigenous groups consider Tayrona National Park part of their ancestral territory. The park management acknowledges this, saying that ‘the sacred sights within must be protected and respected as part of the cultural heritage’.
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Just as humans (sadly) use knives and swords for attack and defence, so too do animals and plants. Whether it’s a thorn or spike to ward off predators, or a sharp tooth to attack their prey, there is always a point to sharpness in nature.
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You may be tired by now of me saying that Colombia is colourful, but hopefully not of seeing the evidence. Many of its small towns are as imbued with colour as the cities; indeed maybe more so as they don’t spill out into more drab commercial and industrial areas. Passing through even the smallest village I would spot murals on local bars, bright doors and windows on the houses.
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It’s not enough to bring peace to a city, you also need prosperity. So while the transformation of Medellín from no-go drugs capital of Colombia to a safer and more visitable city started in its outlying comunas, the city centre has been vital to its continued development.
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Colombia is notorious for a particular crop, but as a visitor you’re not very likely to visit any farm growing that! However, they are very openly proud of their coffee and many farms welcome visitors. We visited a typical farm with a guide, Juan-Paolo, who was a former employee.
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Historically, Getsemani is the area of Cartagena where African slaves lived during colonial times. The Spanish had imported them (after they’d killed off most of the native population) to build their fortifications: the city walls and the Castillo San Felipe de Barajas. They were housed here, outside the city walls, away from the grand homes of the soldiers and merchants who controlled it.
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For most of us photos are an integral to our memories of life’s events. How we remember them is shaped by the moments we captured. In my travel photography I am usually juggling two aims. I want to capture the ‘what’, create a documentary record of each trip. But I’m also interested in ‘how’ I record and remember it, striving to create the best images I can.
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Colombia is one of the most colourful countries I’ve ever visited, possibly the most colourful. So it seems counter-intuitive to present it in black and white. Yet however colourful the destination there are always likely to be at least a few images that I feel merit experimentation. Ones in which form dominates the composition. Ones with strong contrasts and patterns.
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Cocora was a princess, daughter of Acaime, chief of the local Quimbaya indigenous people. Today she lends her name to Colombia’s Cocora Valley, where the native wax palms (the national tree) grow up to 60 metres and live for about 200 years.
