When the first Spanish explorers arrived in what is today northern New Mexico in 1540, and saw the adobe structures of Taos Pueblo, they believed that they had found one of the fabled seven golden cities of Cibola. These were rumoured to be dotted across the desert plains of this region. Some say the sunlight glinting off the straw embedded in the adobe mud fooled Europeans into thinking there was gold in the soil.
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It happened that the Mogollon inhabitants of Chaco Canyon were forced to leave their home by a prolonged drought. Their ancestors had been told by the spirits ‘at the time of emergence’ that a place had been prepared in which they would live. So the tribe left their lands in Chaco and wandered through the American Southwest, pausing from time to time to call out ‘Haak’u’, which means ‘a place prepared’.
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The San Francisco de Asis Church may be made of adobe like many others in the region, but its appearance is very different. Its thick walls with their jutting buttresses look more like a fortification than a place of worship, and its massive bulk seems completely out of proportion to the small community it was built to serve.
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There is a solidity to this church; it seems rooted in the soil from which it was built. Its thick walls with their jutting buttresses look more like a fortification than a place of worship, and its massive bulk seems completely out of proportion to the small community it was built to serve.
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On the vast plains of New Mexico, with their huge skies, and more cattle than people, it is not difficult to imagine a cowboy galloping over the nearest ridge. And wherever you go in this state, the ghosts of outlaws past will follow you, most notably Billy the Kid.
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‘This place is going to be in a book you know. But you’ve come too early; it won’t be out for a month.’
