The presence of diagonals in an image creates a sense of movement. Our eyes naturally follow the line to see where it leads. Often diagonals are used to create leading lines, taking the viewer on a journey through an image to a specific point you want to highlight.
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If public art can be defined as creative, decorative works that can be viewed by anyone at no cost, then the lorries of Nepal should rank as one of that country’s significant contributions to the genre!
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We often choose to go away at this time of year and this year was no exception. At the end of October and through the first part of this month we were travelling in Nepal.
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Paved streets gently wind uphill, lined with brick houses three or more stories high. Every door, every window is surrounded by exquisitely carved wood. Locals sit chatting, their day’s work over, or watch from an upper window.
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Oh dear! How many times have I fallen precisely into the trap of marvelling at the beauty of terraced fields, forgetting how tough it must be to farm these hillsides.
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Bhaktapur lies a little to the east of Kathmandu. At its heart is a series of lanes and squares that seem little changed for centuries. Here more than anywhere in the country I felt immersed in the ageless atmosphere of Nepal.
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When I travel I always want not just to capture the big ‘sights’ but also the tiny details. I often photograph something that perhaps could be found anywhere: a leaf, a stone wall, a ripple on the water. But I found it here in THIS place and I want to capture it.
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In the heart of Kathmandu is a cluster of ancient temples, places and open spaces, known as Durbar (meaning royal palace) Square. This UNESCO World Heritage site was badly hit by the earthquake that struck Nepal in April 2015, but no amount of damage could destroy its unique atmosphere. And today much has already been done to restore it to its former glories.
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In the early morning mist we drifted slowly with the current, our boat man using his single oar simply to steer us. Here on the Narayani River, which skirts the northern boundary of Chitwan National Park in Nepal, the setting was beautiful, the atmosphere tranquil.
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Everyone will tell you that Thamel isn’t the REAL Kathmandu. It was once backpackers central, and today is home not only to hostels but to increasingly smart hotels. But between the tourist-focused delights is enough local colour to demonstrate that you are indeed ‘a long way from home’.
