Like many such states, the Democratic People’s Republic of Korea does public art on a big scale. The many statues of the Dear Leaders are well known, but perhaps a little less so is this rather astounding example, the Monument to the Three Charters for National Reunification.
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Perched on the top of Trikuta Hill, Jaisalmer’s honey coloured fort rises above the city like a giant sandcastle. This is the second oldest fort in Rajasthan, one of the largest in the world, a UNESCO World Heritage Site, and almost unique in India in being still inhabited.
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The Empty Quarter, otherwise known as Rub’ Al Khali, is the largest contiguous sand desert in the world. It is so-called because this huge stretch of unbroken sand has defeated kings, adventurers, and nomads for thousands of years. In a region defined by deserts, the Rub’ Al Khali has come to be known as among the most daunting and inhospitable. And it is on an unfathomable scale.
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If you enjoy candid photography there is no better country to visit, perhaps, than India. I have never been anywhere else where people are so comfortable to be photographed and that is its one downside, as they can be too eager to pose as soon as they see your camera. However, a posed photo can be as effective as a candid shot if you are photographing people within the setting of their workplace.
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Any visitor to North Korea can’t fail to be struck by the absence of what we take for granted both at home and in most countries we visit: advertising. Only state-produced goods are available, so with no competition for customers, there is no need to advertise. But that doesn’t mean that there no eye-catching posters clamouring for our attention in the streets.
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A highlight of any visit to North Korea’s capital is a ride on their metro. This is one of the deepest subway systems in the world (our guide said the deepest) at over 110 metres below ground level, and is designed to double as a citywide bomb shelter, with blast doors at the foot of each lengthy escalator.
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I like nothing more than a boat trip. Whether we are by the sea, a lake or a river; if there is an opportunity to get out on the water I will take it. And the smaller the boat, the better. I have little interest in large cruise ships, the so-called ‘floating hotels’. I want to feel the movement, maybe reach out and dip my hand in the water, or feel the spray on my face as we cut through the waves.
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For most photographers the old town of Hoi An is a riot of colour, as it was for me too. The beautiful lanterns adorning the streets; the rich ochre of its buildings; the traditional costumes worn by many Vietnamese visitors; the boats bobbing on the river … But I also took a lot of street photos there, and traditionally most street photographers work in black and white.
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The Japanese seem to take pride in making everything look the best it possibly can; even the humble manhole cover is an opportunity for some decorative design. Each town or city has its own unique styles, and many are not only intricately moulded but also colourfully painted.
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The fashion editor Diana Vreeland once said, ‘Pink is the navy blue of India’ and in Rajasthan I certainly saw why she would say that. Everywhere we went the women were dressed in the most gorgeous shades of that colour. Among all the wonderful colours that I remember from our time there, it is pink – a shocking pink – that stands out.
