On 20th August 1991 the Estonian government declared the country’s independence from the Soviet Union. In retaliation the following day Soviet troops wanting to seize control of the country’s communication channels stormed the TV Tower on the outskirts of Tallinn. Four employees working there locked themselves in rooms on the 22nd floor and kept the troops at bay by inserting a matchbox between the door of the lift and its frame to stop it working.
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What is it that makes so many doors and windows beg to be photographed? Is it that they intrigue us by hinting at what might lie beyond, if we were to open them? Or more simply, that they provide decoration and interest to what would otherwise be blank walls?
