In 1902 Charles Jones, Ealing’s borough surveyor, published a book. In it he referred to Ealing as the ‘Queen of Suburbs’. His aim of course was to promote the area as a place to live.
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We often choose to go away at this time of year and this year was no exception. At the end of October and through the first part of this month we were travelling in Nepal.
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Are there places you know and love which you hesitate to tell others about, because you are tempted to keep them to yourself? Places relatively unknown that you fear might become spoiled if discovered by too many? And yet, they are so lovely you can’t resist singing their praises!
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To leave a monument standing, to mothball it or to destroy it? That is a question that faces many countries right now, as they face up to an uncomfortable past. Maybe values have changed, better understandings emerged, or political systems been rejected. Do we want still to be surrounded by reminders of that past? Or is it justifiable to remove them, hide the memories?
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In one corner of the room a small TV broadcasts news and propaganda. Photo albums on the table are full of reminders of happy family gatherings. Some medals are proudly displayed on a shelf, while the drinks cabinet holds treasured bottles of imported brands.
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In the last few years, with the batterings the world has taken – Covid, war in Ukraine, prices spiralling – flowers have been among the constants that have kept many people’s spirits up. The pandemic in particular reminded many of us to value the little pleasures of life, and what gives more pleasure for its size than a flower?
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Sofia may have moved its many communist era monuments to a dedicated museum, but that doesn’t mean that the city is short of interesting public art pieces. And there is quite a variety, from the purely artistic to the historically significant.
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Speaking figuratively, Sofia is not a black and white city. Its history is too complex, its architectural influences too diverse. But like any city it lends itself to black and white photography.
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On Iceland’s beautiful, but dangerous Reynisfjara black lava beach signs warn of the risks of getting too close to the water’s edge where ‘sneaker waves’ have been known to catch out unwary tourists and drag them out to sea. This has to be one of the classic Icelandic landscapes.
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What do you do with a load of monuments that celebrate a past you’d rather forget? You can haul them down and break them up for scrap perhaps. Or you can leave them where they are, a constant reminder of that troubled past. Or you can gather them up and put them in a museum; a museum that acknowledges and documents the past but doesn’t celebrate it.
