Neil Gaiman once said, 'Picking five favourite books is like picking the five body parts you'd most like not to lose.' If you replace the word ‘books’ in that quote with ‘photographs’ you will know exactly how I feel. I have a similar reaction when people ask me which are my top three / five / ten places I’ve visited.
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When we travel, we love to try the food of our destinations. Pasta in Italy (of course!), curry in India, kimchi in North Korea, even grasshoppers in Oaxaca. And on our latest trip to the Philippines we naturally enjoyed many local dishes, and like the Filipinos themselves ate rice with almost every meal.
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What we choose to leave out of a photograph matters as much as what we choose to include. And we are making such decisions every time we point our camera at a subject. But thanks to digital photography it is now very easy to make them retrospectively, when we come to edit our shots. Furthermore, we can take a single shot and test out a variety of options.
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A good portrait photograph is shaped by the connection between two people, photographer and subject. Without that connection the image is at best less interesting, at worst lifeless. When we look at an interesting portrait we discover something about the person portrayed: their life, their character. But we only do so if the photographer has discovered this and brought it out in their image.
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Without the distraction of colours, the focus shifts more to the subject’s face and expression. The eyes in particular seem to stand out more, and consequently as a viewer you often feel more connected to the person. And the absence of colour results in an emphasis on shape and form, often making the people seem more significant than their surroundings.
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Perhaps because Britain is a relatively small island, many of us are drawn to the sea. After all, we nearly all live within a few hours drive of the coast. We grew up with seaside holidays, day trips to the beach. We are known as a ‘nation of seafarers’, based on those days when ‘Britannia ruled the waves’.
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I remember many a snowy January as a child, including some very bad ones. And well into my adult years snow was a regular occurrence. But in recent years we’ve seen it less and less, although northern England still gets its fair share. This January it probably got more than its fair share, as storms hit the UK, but in London we saw only a dusting of snow first thing one morning, gone almost as soon as it got light.
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Wherever we travel in the world we find cities building and rebuilding themselves. From Pyongyang in North Korea to Seattle on the west coast of the US and also back at home in London, there is no dearth of modern architecture to love or loathe.
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First, a disclaimer: in calling this gallery ‘colours that complement’ I don’t mean 'compliment'. They won't be telling you how great your latest blog post was or how good you look today! No, today we are looking at colour theory.
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Our world is full of geometrical shapes, many of them created by ourselves. Doors and windows, roofs, walls and fences, containers, art of all kinds … You will find geometry wherever you look in the manmade environment. But what about nature?
