All through the centuries powerful rulers have erected monuments and building that demonstrate their own sense of self-importance and yes, their narcissism. ‘Look at me, see how mighty I am’, these structures seem to say. And at the time those rulers were indeed mighty. But time passes and their power with it
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Senegal’s Saloum Delta is a watery world of mangrove swamps, small islets, creeks and shallow lagoons. It’s hard to imagine a more perfect place for a bird to live. And live here they do, in their hundreds. Of the 650 bird species in Senegal, 200 species can be seen around this delta.
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What is it that attracts photographers to capture so many doors and windows? Is it because they stand out from the rest of the building? Is it something less conscious, being drawn to exits and entrances as offering adventure (or a way out)?
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If it is true that light is the key to photography, surely it is especially the case that it is key to drama in photography. The most dramatic photos are often those with the most interesting light, and with strong contrasts between light and dark.
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Where the River Tyne meets the North Sea lies the aptly named appealing town of Tynemouth. In the summer this is a popular low-key seaside resort, despite the chill of that well-named sea. And in winter it is an equally popular place for a bracing walk, either on the sands or on the paths and promenades above.
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English can be a strange language. I know I would hate to have to learn it! The pronunciation of many of our words seems illogical and inconsistent (think of tough / bough / through / though / cough). And we have so many words with multiple meanings.
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I find it really difficult to pick favourite photos, at least when it comes to my own. So much depends on my mood, on my associations with the photo (where I was, how I felt at the time); it’s hard to be objective. Other people of course don’t have those associations, for the most part. Maybe it’s easier therefore to rely on their judgement?
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I enjoy photographing architecture in black and white, especially more modern architecture. So here is a selection of architectural images, most relatively new (that is, twentieth or twenty first century).
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The relics of Newcastle’s industrial past are being transformed. And nowhere is that more apparent than on the banks of the Ouseburn, a small tributary of the Tyne just east of the city centre. Here there are still plenty of signs of that past, including old warehouses and the remains of glass furnaces. But many of the old buildings have been transformed into cultural venues including galleries and artists’ studios.
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After a busy September, October and November (Paris / Chicago / Madagascar / Paris) it was rather pleasant to have a quieter month. Not that I’ve been doing nothing!
