There is something about the idea of a corner. Who knows what might be around it? Whether on a city street or a quiet country lane, there is a sense of anticipation about what might be revealed.
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Thomas Jefferson said, 'The most valuable of all talents is that of never using two words when one will do.' This is a maxim I would do well to follow, but I too rarely succeed in doing so.
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Somehow, getting up early to watch a sunrise is so much easier when travelling. Of course it helps that the setting is usually both more beautiful and more interesting than the rooftops of our London suburbs above which we would normally see it rise.
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There may be poetry in motion, but it’s not necessarily easy to capture that poetry in a still photograph. Despite that, we all try from time to time, and there are various techniques we can use.
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Let’s consider how much of your image is occupied by your main subject. Often the answer to that is, quite a lot of it. But you can take this to extremes, either filling the frame completely or leaving lots of empty space around your subject. Both can be effective, in different ways.
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For those of us who grew up in the sixties, groovy was the feeling we all aspired to. Groovy was exciting, fun, cool (another sixties word!) Too young to really be part of hippy culture, it nevertheless influenced my tastes in fashion and music. Getting ‘in the groove’ was where I wanted to be, even if as a schoolgirl I was probably very far from being so!
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There is something magical about the sound of flowing water. Whether tumbling over rocks or moving more sedately, whether young and vigorous or older and more serene, a river has the power either to exhilarate and to calm.
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How good are you being self-critical when it comes to your photography? Can you easily pick out the best of your shots and are you comfortable rejecting those that have been less successful? I confess I’m pretty rubbish at it.
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Can one word describe a photo, or a photo define a single word? That’s the challenge set by Paula in her monthly Pick a Word post. Five words, five photos inspired by those words.
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Salvador Dali said that, 'Surrealism is destructive'. It seems counter-intuitive to think of art as destructive, when it is such a creative process. Surely the purpose of art is to construct? And photography, as an art-form, creates or constructs a record of a moment in time. So perhaps to apply Dali’s definition of Surrealism to our photography, we need to partially destroy our images and distort that record in post-production?
