Kahlil Gabran’s likening of trees to poems 'that the earth writes upon the sky' is often quoted, I know. And yes, the branches of trees, their twigs and leaves, do seem a little like writing against the sky. But there is more to this poem.
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Photography is all about contrasts of course. Without those variations in lightness and darkness our images would be dull and flat. Whether contrasting black and white in monochrome shots, or harmonising and contrasting the shades in our colour shots, effective contrast is key to a good result. But the term can also relate to our choice of subject matter.
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In a foreign country the everyday can seem unfamiliar. Different food, different customs, different houses, different ways of dressing and moving around. Sometimes the most familiar sights are the famous ones. We’ve already seen them so many times in films, on TV and on other people’s photos that we think we know them already.
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Sculpture a subject I’m drawn to a lot. I like both the sculptures themselves and the challenge of photographing them in a way that doesn’t merely record the work of the artist but also attempts to put my own stamp on it in some way.
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WIt took its time, but towards the end of June summer finally arrived in London. Overnight it seemed we went from cool and dull early spring days to a heatwave, with temperatures briefly touching thirty degrees Celsius. But throughout the month, whatever the weather, our gardens sprang into life and there were flowers everywhere!
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All of us have places where we feel at home and are comfortable. Places where we can find all the necessities of life. And animals are no different. A sloth must live in a tree, a whale in the sea, a lion on the plains of Africa, a bee where there are flowers.
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Irving Penn defined a good photograph as, 'one that communicates a fact, touches the heart and leaves the viewer a changed person for having seen it'. If I can do even one of those three things with an image, I’m satisfied!
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If like me you live in the Northern Hemisphere, there’s something magical in discovering the world of the Southern. Africa in particular seems to draw us to explore, with its vast plains and forests, still-wild spaces, fascinating animals and very different cultures. Maybe too there’s a lingering romantic sense of the continent as an unknown frontier to be opened up, despite the somewhat negative associations attached to our historic explorations there.
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Shapes and lines are important elements in photographic composition, but how often do we stop to consider them? I think I am more aware of lines than I am of shapes, to be honest. I look for leading lines and for dynamic diagonals in particular, but I’m less likely to look for specific shapes.
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The appeal of black and white portraiture lies in the way it simplifies the image. Without the distraction of colours, the focus shifts more to the subject’s face and expression. The eyes in particular seem to stand out more, and consequently as a viewer you often feel more connected to the person.
