I would never claim to be the only person to have noticed the things I photograph. But I do believe I often photograph things that not EVERYONE has noticed, or thought to photograph. When I travel I of course photograph the famous sights, the landscapes, the architecture. But I also like to capture small details that, while perhaps not unique to the country, are part of my personal memories of it.
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Just a few miles north of built-up post-industrial Tyneside lies the wide expanse of Druridge Bay. Its seven miles of sands are lined with sand dunes and are just perfect for a winter walk. The landscape is an interesting mix, with wind turbines visible in the distance but otherwise feeling rather remote.
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If you take a walk along the Quayside in Newcastle you are unlikely to miss the striking building on the far side of the Tyne, in Gateshead. Situated in the shadow of the Tyne Bridge this is a concert venue with two main auditoria, a rehearsal space, a music education centre and a leisure destination with several bars and eating places. It is also a must-see, and must photograph, building!
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High in the hills above Pokhara the inhabitants of small villages live much as they have always done. Theirs is a life of hard work, farming a land of steep fields and terraces. But while the work is hard, the backdrop is stunning. I wonder how often they pause to appreciate their surroundings, raising a weary head to gaze in wonder at these mountains as I did?
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We’d planned to spend our last day in Pokhara taking it easy. Swimming in the beautiful hotel pool, a walk by the lake, maybe a bit of shopping. But some things can’t be missed, and surely sunrise over the Himalayas is one of those things?!
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The presence of diagonals in an image creates a sense of movement. Our eyes naturally follow the line to see where it leads. Often diagonals are used to create leading lines, taking the viewer on a journey through an image to a specific point you want to highlight.
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If public art can be defined as creative, decorative works that can be viewed by anyone at no cost, then the lorries of Nepal should rank as one of that country’s significant contributions to the genre!
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Paved streets gently wind uphill, lined with brick houses three or more stories high. Every door, every window is surrounded by exquisitely carved wood. Locals sit chatting, their day’s work over, or watch from an upper window.
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Are there places you know and love which you hesitate to tell others about, because you are tempted to keep them to yourself? Places relatively unknown that you fear might become spoiled if discovered by too many? And yet, they are so lovely you can’t resist singing their praises!
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Oh dear! How many times have I fallen precisely into the trap of marvelling at the beauty of terraced fields, forgetting how tough it must be to farm these hillsides.
