When we look at a photo our eye is naturally drawn along any lines within it. By thinking about how and where you place any lines in your composition, you can influence the way people view the image, pulling us into the picture, towards the subject, leading us on a journey through the scene.
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Our first sight of a potential subject has us reaching for our camera, naturally. And sometimes the first shot we take is great, but often (always?) it could be bettered. We could perhaps find a more interesting angle or move closer to take in the details. I'm illustrating this principle with images taken of the temples and other ancient ruins that surround the town of Siem Reap in Cambodia.
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It is relatively easy to photograph a landscape. It doesn’t move as wildlife does, it doesn’t object as a person may do. But to photograph a landscape and be happy with the result is much more difficult. So often the grandeur of what we see fails to translate itself to the image and we are disappointed that the result doesn’t stir in us, or in others, the feeling we had when we were there. But we keep trying!
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This weekend in Europe the clocks are being turned back. The already dark evenings will be darker as days are starting to shorten and nights lengthen. Finding light where we can becomes ever more precious.
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We enjoyed our first visit to San Francisco back in 1991 so on this California trip included a day there at the start. After some early morning fog we enjoyed a beautifully sunny day, although the clouds descended again briefly in the afternoon, just in time for us to get some atmospheric shots from the viewing area on the north side of the bridge, near Sausalito.
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One thing photography teaches us is that there are opportunities for images in the most unlikely places. Carrying a camera we see things differently, noticing not just the most obvious and beautiful scenes but also the potential in the less obvious.
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Who doesn’t love a bridge? There’s something special about being able to cross from one side to another, knowing that without the bridge this would be impossible. Crossing one is like moving into another world, where each step carries you from the familiar into the unknown.
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It’s not Christmas and I don’t have seven swans a-swimming, only the lone one above photographed in a local park during a Covid lockdown. But I do have seven other birds from various locations across the world. I hope you enjoy this ornithological world tour!
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Our images don’t have a particular job to do, they can stand alone. And the viewer is free too, to interpret them as they wish. They can follow the image’s ‘suggestion’ or search for other meanings – or none. With that in mind I have selected some favourite black and white shots to share.
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I am not a typical ‘beach person’. I fry in the sun and get easily bored just lying around. And having taken the trouble to fly to a foreign country, I want to see and experience the culture that makes it unique, not spend time in an environment that differs only a little from place to place. And yet, I love the sea!
