In setting my previous Friendly Friday Challenge about the ‘rule of thirds’, I should perhaps have started with a disclaimer. We talk about the rules of photography but what we really mean are guidelines. Guidelines that help you to create compositions pleasing to the eye; guidelines that help you create impact and draw the viewer in.
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The world is full of curves. A bend in the road; a gently drooping flower; the arch of a bridge; a spiral staircase. Animals curl up to sleep or to feel safer. Leaves gradually unfurl. The wind shapes a sand dune daily into new curves, and with time water does the same to hard rocks.
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I love to photograph details. So much so that when I review a day’s set of images I’m slightly disappointed to realise that I forgot to take any wider shots showing the whole of a building or statue or fountain or …!
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Keeping up my resolution of taking at least one photo a day was very easy in the first part of February and much less so towards the end of the month. For the first two weeks we were in Costa Rica and I was in travel photography heaven – and overload! When we got home however the weather was cold and I was jet-lagged. It was hard to get motivated to look for images among the familiar scenes of home after the novelties of travelling.
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I started this year with the intention of doing the 365 challenge, taking and sharing at least one photo a day. Having seen a reference to Blipfoto as a platform for this, I signed up; only to find that what I thought was free membership actually carried a fee after the first month. Sneaky! So I abandoned Blipfoto and with it my short-lived challenge. Instead I thought I would share some of my favourite January images here.
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Rules are made to be broken, they say. Not necessarily true; if the past two years has taught us anything, it’s the importance of following the rules in particular during a time of emergency. In photography it’s arguably another matter. By breaking the rules we can sometimes create the most impact. But I’m a firm believer that in order to effectively break a photography rule you must first understand it.
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Maybe it’s the ex-librarian in me that drives me to put things into categories. But as a librarian I learned that some things fit into categories more easily than others! That was certainly true of my favourite photos from last year, and when I’d finished sorting them I was left with a set that didn’t neatly fit into a single theme.
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Increasingly as a photographer I find myself drawn to the little things. Even the most ordinary of sights, the places we pass every day, can seem more interesting if we focus on the details. And when travelling somewhere new, picking out those details can add colour and texture to a record of our travels.
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You can’t get much more black and white than a zebra! But actually many animals look good in monochrome. I’ve had a go at editing some of my favourite wildlife shots – mammals, reptiles and birds – with my favourite software. Let me know which versions you prefer, colour or black and white?
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One possible twist to the usual alternatives of colour or black and white is the use of selective colour. This can look quite gimmicky, so I prefer to keep the colours muted to tone in better with the grey shades.
