Studio photographers can spend a lot of time getting the light just right, changing the angles, adjusting the brightness and colour. Landscape photographers don’t have that luxury; we have to work with the light we have, or wait until it changes naturally.
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In nature still water provides the best reflections. So most of the photos I have selected for this post are of reflections in water – but not all of them.
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Near the English border with Wales sits the historic market town of Shrewsbury. Founded in the Middle Ages it still retains its medieval street patterns and some buildings from that time. It was an important wool trading centre for many centuries.
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Lisa has set an unusual challenge, the selective colour editing of photos. It’s one that really attracted me to have a go. I love fiddling with my photos, as regular readers will know (I call it editing but really it’s quite often just fiddling!) So the idea of removing much of the colour in an image to leave just a splash appealed to me.
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Who says photographs have to be faithful representations? Sometimes it’s fun to play around with images to create something that’s quite wildly different from the original subject matter.
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With travel photography impossible right now, I challenged myself recently to see how many interesting details I could photograph within a mile of my own front door. I followed a path I have taken almost daily over the last year or so, and very many times before that. It took me along a couple of suburban streets, past the tennis courts and into our favourite local park, Walpole.
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The world as we see it is full of colour. So it may seem counter-intuitive to take black and white photos, but by draining an image of colour you can draw attention to its other qualities. Texture, contrasting tones, patterns and shapes can all be more obvious in a monochrome shot.
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When photographing flowers I like to get really ‘up close and personal’; to peer deep into their hearts. And if an insect such as a bee wants to join me on that adventure, so much the better.
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Some say that a photo should be a direct representation of what we saw as we clicked the shutter. I say, that is impossible. The eye, like the camera, may see the true picture, but the brain tends to see what it wants to see, and the photo may therefore disappoint.
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Today, everyone is arguably a photographer, shooting images with their phone cameras almost every day. But when I started, as a child in the 1960s, photography was a hobby, and a relatively expensive one at that. Only the keenest photographers went on the journey from taking family snapshots to an obsession with getting the best from a camera, trying to create something both memorable and beautiful.
