Photographs are a wonderful way of capturing the world around us. Whether we’re aiming for pure realism or something more creative, for the most part we include recognisable subjects in our images. But without context, photos don't always give a proper sense of scale. They lack the cues, context, and perspective that our eyes and brain use to judge size and distance in the real world.
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Photography is nothing without light, of course. And light plays a crucial part in creating shadows and silhouettes. Shoot into bright light to silhouette your subject against it, or let the light fall directly on your subject to cast a shadow.
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When I searched for interesting quotes about zigzag lines I was surprised to find relatively few. But of those I found, many talked about journeys, which as a keen traveller appealed to me. After all, aren’t zigzag journeys often the most interesting and rewarding?
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Who can look at a boat floating on the water and not feel at least a small sense of adventure? The chance to leave the land behind and explore, the promise of an escape from the routine of everyday life, the drama of the open sea or the gentle rocking of a boat on calmer inland waters.
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Kahlil Gabran’s likening of trees to poems 'that the earth writes upon the sky' is often quoted, I know. And yes, the branches of trees, their twigs and leaves, do seem a little like writing against the sky. But there is more to this poem.
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Photography is all about contrasts of course. Without those variations in lightness and darkness our images would be dull and flat. Whether contrasting black and white in monochrome shots, or harmonising and contrasting the shades in our colour shots, effective contrast is key to a good result. But the term can also relate to our choice of subject matter.
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It’s widely recognised that elephants mourn their dead, but what about other animals? It’s rather easy to fall into the trap of anthropomorphising, attributing our feelings and behaviours to them. Yet there are examples of what appear to be very human-like emotions, and we were once privileged to witness one.
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Let’s have a few days by the sea this summer, we said. Let’s enjoy walks on the beach and cliffs, ice creams in the sunshine, maybe even paddle in the sea! But of course the British weather had other ideas. So while we did enjoy our few days away this week, and did indeed go for walks and eat ice cream, sunshine was in very short supply.
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If like me you live in the Northern Hemisphere, there’s something magical in discovering the world of the Southern. Africa in particular seems to draw us to explore, with its vast plains and forests, still-wild spaces, fascinating animals and very different cultures. Maybe too there’s a lingering romantic sense of the continent as an unknown frontier to be opened up, despite the somewhat negative associations attached to our historic explorations there.
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Shapes and lines are important elements in photographic composition, but how often do we stop to consider them? I think I am more aware of lines than I am of shapes, to be honest. I look for leading lines and for dynamic diagonals in particular, but I’m less likely to look for specific shapes.
