A black and white world is a strange world indeed, but then there is much in the world that seems strange to us. Different cultures, different landscapes, different architecture, different animals … and that is why we travel.
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When you remove the colour from an image you see other aspects of your subject more clearly. Shape, form, texture all stand out more without the distraction of colour, and monochrome highlights the contrasts between them.
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Some photographic subjects are obvious candidates for black and white, others seem better suited to colour. But sometimes it’s interesting to choose a subject or destination that appears to cry out for colour and experiment with some monochrome edits. The results may surprise you!
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In a photo our eyes instinctively take a walk along a line to see where it leads. When it leads to a focal point in the image we talk about leading lines. But wherever they lead, lines can add so much interest to a photo.
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I’ve had several exchanges of comments with blogger friends about the merits or otherwise of editing flower shots in monochrome. Some, like me, find the textures and shapes attractive, while others bemoan the loss of colour.
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What is it that attracts photographers to capture so many doors and windows? Is it because they stand out from the rest of the building? Is it something less conscious, being drawn to exits and entrances as offering adventure (or a way out)?
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If it is true that light is the key to photography, surely it is especially the case that it is key to drama in photography. The most dramatic photos are often those with the most interesting light, and with strong contrasts between light and dark.
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I find it really difficult to pick favourite photos, at least when it comes to my own. So much depends on my mood, on my associations with the photo (where I was, how I felt at the time); it’s hard to be objective. Other people of course don’t have those associations, for the most part. Maybe it’s easier therefore to rely on their judgement?
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I enjoy photographing architecture in black and white, especially more modern architecture. So here is a selection of architectural images, most relatively new (that is, twentieth or twenty first century).
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Madagascar is a colourful country! The landscapes are beautiful and for the most part lush and green. The wildlife is often colourful too. And in villages and towns there are lively markets, while hotel grounds are planted with pretty flowers. And yet, I can never resist the temptation to experiment with black and white edits
