What is it that attracts photographers to capture so many doors and windows? Is it because they stand out from the rest of the building? Is it something less conscious, being drawn to exits and entrances as offering adventure (or a way out)?
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If it is true that light is the key to photography, surely it is especially the case that it is key to drama in photography. The most dramatic photos are often those with the most interesting light, and with strong contrasts between light and dark.
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I find it really difficult to pick favourite photos, at least when it comes to my own. So much depends on my mood, on my associations with the photo (where I was, how I felt at the time); it’s hard to be objective. Other people of course don’t have those associations, for the most part. Maybe it’s easier therefore to rely on their judgement?
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I enjoy photographing architecture in black and white, especially more modern architecture. So here is a selection of architectural images, most relatively new (that is, twentieth or twenty first century).
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Madagascar is a colourful country! The landscapes are beautiful and for the most part lush and green. The wildlife is often colourful too. And in villages and towns there are lively markets, while hotel grounds are planted with pretty flowers. And yet, I can never resist the temptation to experiment with black and white edits
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It may seem contradictory to suggest that we photograph empty space. Shouldn’t a photo be OF something? But if we set our subject against a large area of relative emptiness and create ‘breathing room’ around our subject, we can help the viewer to see that subject differently.
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When you first start using a camera, the tendency is to look straight ahead at a scene. We get caught up in what we see right in front of us. We may look ahead, to the left and right, down and even behind us, but many times we forget to look up.
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Madagascar is a colourful country! The landscapes are beautiful and for the most part lush and green. The wildlife is often colourful too. And in villages and towns there are lively markets, while hotel grounds are planted with pretty flowers. And yet, I can never resist the temptation to experiment with black and white edits
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In photography, when you choose to fill the frame with your subject, leaving out everything that surrounds it, you remove all distractions and by doing so force the viewer to look only at this one thing. This can be very impactful.
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While I sometimes enjoy the harmony of a perfectly symmetrical shot, on the whole I find the asymmetrical more interesting. An image that is off-centre is more dynamic and encourages the eye to explore rather than settling in one spot.
