As one of my abiding memories of Chicago will be of the architecture, especially the variety in age and style of its skyscrapers, I can’t help but agree with Frank Gehry. He said of the city that, 'Chicago’s one of the rare places where architecture is more visible'.
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On our recent visit to Paris much of the time we simply walked. With no need to tick off the famous sights we instead strolled some of our favourite streets, explored new ones and checked out some less well-known places.
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The terms ‘black and white’ and ‘monochrome’ are often used synonymously in photography. But when you consider the meaning of the latter you quickly realise that they need not be the same thing. A black and white photo can be described as monochrome, but a monochrome image isn’t necessarily black and white. Monochrome simply means ‘one colour’, so any photo dominated by shades of a single colour can be said to be monochrome.
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It’s August, so where better place to be than the English seaside? Although truth be told I like our coastal areas much more in the winter months and maybe even more so in spring and autumn.
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With 7.888 billion people in our world it shouldn’t be hard to find someone interesting to photograph. Yet, among so many, how do we find the ones that stand out from the crowd? Which are the faces that speak to us? Which seem to tell a story that can be captured in a single shot? Perhaps it’s their clothing, their expression or what they are doing?
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When I first started visiting in the early 1980s Newcastle did seem like a city in black and white. Once a great industrial hub it had been hard hit by the closure of the shipyards and coal mines of the region.
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Have you ever watched an artist at work and seen them hold up their hands, using fingers and thumbs to create a rough rectangle? They are considering how best to frame their subject; what to include and what to omit.
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In photography, triangles add dynamism to an image, leading the viewer's gaze towards a focal point or important element within the shot. They can also create a sense of balance and stability, depending on their shape and placement.
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Autolycus is a peddler and pickpocket. No one’s possessions are safe when he is around! But what he regards as ‘unconsidered trifles’ may be of great importance to their owner. In the same way what many might see and dismiss as insignificant, a photographer may spot and deem worthy of an image. A photographer too therefore is often a ‘snapper-up of unconsidered trifles’.
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By ‘looking over’ the places we visit with our cameras, that is properly looking at and seeing them, we are less likely to ‘overlook’ a great photo opportunity.
