It’s August, so where better place to be than the English seaside? Although truth be told I like our coastal areas much more in the winter months and maybe even more so in spring and autumn.
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With 7.888 billion people in our world it shouldn’t be hard to find someone interesting to photograph. Yet, among so many, how do we find the ones that stand out from the crowd? Which are the faces that speak to us? Which seem to tell a story that can be captured in a single shot? Perhaps it’s their clothing, their expression or what they are doing?
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When I first started visiting in the early 1980s Newcastle did seem like a city in black and white. Once a great industrial hub it had been hard hit by the closure of the shipyards and coal mines of the region.
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Have you ever watched an artist at work and seen them hold up their hands, using fingers and thumbs to create a rough rectangle? They are considering how best to frame their subject; what to include and what to omit.
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In photography, triangles add dynamism to an image, leading the viewer's gaze towards a focal point or important element within the shot. They can also create a sense of balance and stability, depending on their shape and placement.
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Autolycus is a peddler and pickpocket. No one’s possessions are safe when he is around! But what he regards as ‘unconsidered trifles’ may be of great importance to their owner. In the same way what many might see and dismiss as insignificant, a photographer may spot and deem worthy of an image. A photographer too therefore is often a ‘snapper-up of unconsidered trifles’.
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By ‘looking over’ the places we visit with our cameras, that is properly looking at and seeing them, we are less likely to ‘overlook’ a great photo opportunity.
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There is something about a reflection that draws us as photographers. Is it the illusion of seeing double? Or the fact that we can capture double the beauty?
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One of the pleasures of an addiction to photography is that you start to see photos wherever you look! And by look, I mean REALLY look. While it’s wonderful to be able to photograph sweeping landscapes, iconic buildings, wild (and not so wild) animals, interesting people … look closer and you will find even more subjects.
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Fences draw lines across our landscapes, towns and cities. They say, do not pass. This is my land, that is yours. Or they say, stay out or stay in, keeping domesticated animals from wandering and wild ones from attacking.
