There is something about a reflection that draws us as photographers. Is it the illusion of seeing double? Or the fact that we can capture double the beauty?
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One of the pleasures of an addiction to photography is that you start to see photos wherever you look! And by look, I mean REALLY look. While it’s wonderful to be able to photograph sweeping landscapes, iconic buildings, wild (and not so wild) animals, interesting people … look closer and you will find even more subjects.
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Fences draw lines across our landscapes, towns and cities. They say, do not pass. This is my land, that is yours. Or they say, stay out or stay in, keeping domesticated animals from wandering and wild ones from attacking.
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How often have you said, there’s nothing of interest here to photograph? Not often, I hope! Look at things with a photographer’s eyes and you will almost always find a way to make them look interesting. A broom, a piece of rope, a paintbrush, a few vegetables. All of these and more are food for the hungry camera!
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Welcome to the ‘strange’ world of northern Norway, where June feels more like January in London and where the photographic rewards are great if you’re happy to brave the chilly fingers needed to press the shutter!
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Much of the Norwegian landscape looked a little unreal to me even in its natural colours. The drama of its mountains, the almost eerie light around midnight, even the snow and rain. All these lent it a magical air.
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When I visited Lviv in 2010 I described it on my Virtual Tourist page as a beautiful city ‘waiting in the wings’. By this I meant that it was ripe for tourism but hadn’t yet been discovered by the masses, nor did it yet have the infrastructure to deal with them. What it did have was beautiful churches with elaborate interiors; a lovely main square surrounded by historic townhouses; broad avenues and narrow winding streets; quirky cafĂ©s, a striking opera house and monuments of all kinds and styles.
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There have been many times when travelling that I’ve stared up at some steps. I’m not the best at climbing stairs, but the incentives to do so are often great. A wonderful view, an interesting building, a slice of history … Any of these is likely to entice me to climb.
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It’s not too difficult to take a photograph of an object, person, animal or scene. Choose your subject, point your camera and press the shutter. A modern camera (or phone) will do all the work for you in terms of making sure the subject is in focus and well exposed. But how do you photograph a mood?
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Lighting is everything in photography. It can make an ordinary subject look intriguing, while the lack of it can make an interesting one look dull. Light that falls on your subject from the front will make it look flat and two dimensional. Side lighting is more interesting, creating shadows and bringing out textures. The last option is backlighting, which can be beautiful and dramatic.
