When you photograph people in colour, you photograph their clothes. But when you photograph people in black and white, you photograph their souls!
Ted Grant
The appeal of black and white portraiture lies in the way it simplifies the image. Without the distraction of colours, the focus shifts more to the subject’s face and expression. The eyes in particular seem to stand out more, and consequently as a viewer you often feel more connected to the person.
Meanwhile in street photography the use of black and white creates an edginess to the shot. And as in portraiture, the absence of colour results in an emphasis on shape and form, often making the people seem more significant than their surroundings.
I think I must have used the Ted Grant quote above before, and even if I haven’t, others have. But it perfectly suits my theme for this week’s Monochrome Madness, people. You can either share posed portraits or candid street photos, or a mix of the two. I’m looking forward to seeing what you come up with!
Do please remember to tag your post Monochrome Madness so it is easy to find in the reader. And check out Leanne’s Monochrome Madness page to learn more about this fun challenge. Maybe you’d like to host a theme from time to time? If so, do contact Leanne via her page.
Many of my shots were taken on recent travels so hopefully most will be new to you, at least in this format. My feature shot is from our visit to Delhi in 2015. All were taken originally in colour and edited with Nik Silver Efex Pro.
Artist on the streets of Mexico City
In the Plaza Hidalgo, Coyoacan, Mexico
In the garden of a restaurant in Teotihuacan Pueblo, Mexico
In a village in Madagascar
In Moramanga, Madagascar
The market in Hellville, Nosy Be, Madagascar
Crew member on a Hurtigruten ship, dressed for the Arctic Circle crossing ceremony
Musician in Essaouira, Morocco
In Serrekunda Market, Gambia
Outside Bar Italia, Soho, London
Outside the Chiesa di San Michele, Cagliari, Sardinia (currently undergoing restoration)
Another artist, this time in Split, Croatia
The captain of the Hermes II, Tromsø, Norway
In Panajachel, Guatemala
In Santiago Atitlán, Guatemala
And to illustrate the point made by Ted Grant, here’s the colour version of the shot from Guatemala.
I’m willing to bet you’re paying a lot more attention to her clothes now you see them in colour, and consequently a little less to her face and personality.
65 Comments
Pingback:
Annie Berger
Great quote you selected, Sarah, at the begining of the post. You’re right of course that it’s so much easier to pay attention to the person in greater detail when the photo is in black and white. That was especially true of the mariner!
Sarah Wilkie
Thank you Annie 🙂 Glad that photo of our boat’s captain stood out for you. He was a great guy and even let some of us (me included) have a go at the wheel!
Pingback:
rkrontheroad
All great photos. The b/w adds a touch of sadness, don’t you think?
Sarah Wilkie
To some of the shots, yes. Thank you again Ruth 🙂
Pingback:
equinoxio21
All wonderful. I think Cartier-Bresson or Ronis would hav liked your pictures.
The little girl in Panajachel is probably my favourite.
There is something about little children, even in some poverty, that speak volumes about the illusion of hope…
(The header photo is also very good)
👍🏻
Sarah Wilkie
Thank you 😊 Although I suspect you’re stretching things a bit with that comment about Cartier-Bresson and Ronis!! I agree completely about children (but btw, that kid in Panajachel is a boy – or rather, WAS a boy as he must be a grown man by now!)
equinoxio21
A boy? I guess I was misled by the lock of hair…
Stretching? No. I -almost- never say something I don’t think. Obviously there many of their photos one cannot ever think of… reaching?
But, in your case, one has to think “modern days”. They captured their time, and very well. Your photos do reach a very high quality. Clearly you spend a lot of time taking them, cropping, etc. The result is top-notch quality. (I’ll never reach your quality. Too lazy. LOL)
Plus, what you capture in the case of human photography is something unique: the gaze. (When they’re looking at you of course.)
Keep up the good work my friend.
Sarah Wilkie
I can only blush and thank you again 😊😊
leightontravels
A lovely collection of images Sarah that ooze with untold stories. Like others it is impossible to disagree with the point made in your last two photos. Penny for his thoughts Mr. Moramanga, Madagascar.
Sarah Wilkie
Thank you Leighton 🙂 Yes, Mr. Moramanga doesn’t look too happy does he, but I like to think he was just bored, or fed up because he hadn’t sold many eggs!
grandmisadventures
These are so beautiful and really seem to capture a real moment in their lives 🙂
Sarah Wilkie
I’m so glad you think so – thank you 😀
Leanne Cole
That last example is really good Sarah, in mono you notice her face first in the colour one you notice her hat first.
YOu have a great selection of photos, so many different people. They are wonderful.
Sarah Wilkie
Thank you Leanne 😊 That last example mirrors real life. When I first saw her I noticed and wanted to photograph the traditional hat. We bought a trinket from her (a key chain) and asked if we could photograph her, and I realised then how expressive her face was. But this is the first time I’ve thought to edit the shot in B&W to bring that out!
Pingback:
Kathleen Jennette
Great images and looking at them the faces all have their stories. Beautiful shots!
Sarah Wilkie
Thanks so much Kathleen, I’m glad their stories came across in the images 😊
wetanddustyroads
Ted certainly had this quote right (thanks for illustrating that with the last two photos). Lovely selection of photos – I especially like the little one in Guatemala and wonder why is the artist in Split smiling (is he looking at his phone?) … it looks like a loving/content smile.
Sarah Wilkie
Thank you 🙂 About the artist in Split, he’s looking down at the small painting he’s working on and I guess he’s smiling because he’s pleased at how it’s going. He had the finished ones strung out nearby – I took a photo of those too and no doubt will include it in a future post, but it’s too colourful for this one and has no people in it, so … 😉
Dawn M. Miller
Excellent post. That first image is especially stunning.
Sarah Wilkie
Thanks so much Dawn – I have to admit it’s a favourite of mine but this is the first time I’ve tried a monochrome edit and I definitely prefer it to my original colour version!
Michele Lee
Outstanding! Really enjoyed my time looking through your collection.
Sarah Wilkie
Thank you Michelle 🙂
Michele Lee
👍🏻
Pingback:
Rose
The monochrome photos seem to invite a deeper connection to each of your subjects. As demonstrated by your last photo, the vibrancy around us can be a distraction.
Sarah Wilkie
I like that way of describing it Rose, a ‘deeper connection’ 🙂
Monkey's Tale
So true Sarah, and you proved your point in the last portrait. Although I do love both pictures, it is for different reasons, the same that you mentioned. Maggie
Sarah Wilkie
Thank you Maggie 🙂 Yes, I like both versions too, but the colour one is more about the traditional costume while the B&W is all about the woman wearing it!
Kymber Hawke
I love people watching, and your photos are amazing! I hesitated to move on to the next picture, so I took my time and lingered on them. 🩷🌺
Sarah Wilkie
Thank you so much, I’m really glad you enjoyed this opportunity to people-watch 😊
PR
What a great set of people from all around, Sarah! Beautiful! My entry here:
https://flightsofthesoul.wordpress.com/2024/06/12/people-2/
Sarah Wilkie
Thank you, and thank you for joining in too 😀
pattimoed
A truly wonderful gallery, Sarah. Your portraits are wonderfully expressive in b & w.
Sarah Wilkie
Thanks so much Patti 😊
Sue
Great gallery,Sarah, and some great monochrome expressive people!
Sarah Wilkie
Thank you Sue, I’m glad you liked them 🙂
Pingback:
margaret21
You’re absolutely right, Sarah. B/W does focus our attention on the person, rather than anything else. Your last pair of photos illustrate this so clearly. These are all great, but I particularly like your header photo. And the link on my own post has now been up-dated.
Sarah Wilkie
Thank you Margaret 😊 I’m glad you like the header, it’s one of my own favourites! And thanks for updating your link too.
Anne Sandler
You are a wonderful street photographer Sarah. You’re also great at black and white conversions. I love how you capture peoples’ essence.
Sarah Wilkie
Thanks so much Anne 😊 I have to confess that for every reasonably successful image such as these there are plenty of duds that you will never see!
Terri Webster Schrandt
Your talent for capturing people on the street knows no bounds, Sarah, and capturing them in black and white is stunning! In these, you really capture their facial expressions and perhaps a look into their character. Color does distract somewhat in this context. Showing the woman in full color is a great reminder. I read Dawn’s post “backs of people” in monochrome was with challenge. I went with that in a couple of images in my post depicting rodeo. Thanks for hosting!
https://secondwindleisure.com/2024/06/12/wordless-wednesday-do-you-rodeo/
Sarah Wilkie
Thank you for the kind comments on my photos Terri, and for joining in with some of your own 😀
thehungrytravellers.blog
You’re so right (again), Sarah – the monochrome adds real character to the faces here. Another collection which makes wonder about the life of each featured person.
Sarah Wilkie
Thank you Phil 😊 If you’re left wondering about the person’s life then the photo has done its job!
Egídio
Fantastic post, Sarah! People’s faces are so expressive in black and white. The closing images reinforce your opening quote for sure.
Sarah Wilkie
Thanks so much 😊 I’m pleased you felt the last image reinforces the point about colour detracting at times.
Egídio
I was not sure I would have something to contribute this week, but your post inspired me to look deeper into my catalog. My post is up now:
https://egidio.photography/witches-and-wonders-a-renaissance-fairytale-adventure/
Sarah Wilkie
Thank you, I really enjoyed your post 🙂
Aletta - nowathome
Stunning gallery Sarah!
Sarah Wilkie
Thank you Aletta 🙂
Alison
You’re definitely correct about the last one, so much colour does detract from her face. All the faces are so much more interesting without colour.
I’m trying to get more photos of people but whenever I try I always get such suspicious looks! The last one I took of an old Albanian man looked so good, until I noticed after his flies were wide open!
Sarah Wilkie
Thank you Alison 🙂 To avoid the suspicious looks you ideally need a lens with a good zoom so people aren’t aware of what you’re doing. Or if you’re close to the person, shoot with your camera at your side and crop, straighten etc later 🙂
Marie
Great to include the colour version – it reinforces your point perfectly….
Sarah Wilkie
Thank you Marie – I hoped it would do so 😆
Yvonne Dumsday
You have inadvertently taken me back to my childhood Sarah, when all our photographs were black and white. For my eighth birthday I was given a set of photographic paints and I carefully put all the colours into my tartan skirt and the sweater I had just knitted. How times change!!
Sarah Wilkie
And you’ve taken me back to mine, as I’d totally forgotten about those photo paints – I’m sure I had a set at one time!
Teresa
My favourite is the Crew member on a Hurtigruten ship because the person really stands out from the background. And you are right, with the coloured image we tend to look at the colour more than the face. But who cares… I love colour. Haha
Here is my entry for today:
https://wanderingteresa.com/monochrome-and-me/
Sarah Wilkie
I know you love colour and are wary of photographing people, so I really appreciate you giving this challenge a go, and so successfully 🙂
Teresa
Oh yes, I tried. But that is the purpose of these challenges… to go out of one’s comfort zone and try out new things. So thanks for that.
Pingback: