The marvels of daily life are exciting; no movie director can arrange the unexpected that you find in the street
Robert Doisneau
If you visit a city only to see its famous sights, you are missing out on much of what makes that city what it is. The people who live there may do so against the backdrop of its grand buildings, iconic monuments, parks and so on, but for the most part those things are of secondary importance to their daily lives. If you want to really get to know a city you need also to observe those people. How do they spend their time, what do they wear, what jobs do they do and how do they have fun? And what characteristics does their behaviour suggest? Gregarious, wary of strangers, care-worn, affluent, struggling … Use your eyes, and your camera, to paint a picture of daily life that will complement your images of those famous sights.
Marrakesh is such a colourful city it may seem contradictory to present it in monochrome. But as I’ve discussed before, removing the colour from a scene can often lead you towards the discovery of elements that you might not otherwise notice. Without colour shape, form and texture become more important. We might be more conscious of a person’s expression if not distracted by the colours of their clothing, or of the personality evident in the lines on a face. And often the background to a scene can be less distracting if in monochrome.
A note on street photography ethics
People here can be wary of having their photo taken, although you’ll see below at least one man who saw and was happy with my camera. For the most part these are therefore surreptitious candid shots. On one occasion I was spotted and asked, with some vehemence, to stop and delete the photo; naturally I complied. Street photography is legal in Morocco but that doesn’t mean it is always right. I followed my usual personal rules, namely:
- I won’t photograph people in circumstances that could be considered degrading.
- I won’t photograph homeless or destitute people without their consent.
- If somebody spots me and indicates they don’t want to be photographed, I will respect their wishes. I put my camera away and if I’ve already taken their picture, I will delete it if they ask me to. But I do try hard not to be spotted!
So here for this week’s theme-free Monochrome Madness are some street scenes from Marrakesh, all edited with Silver Efex Pro. You may have seen some of these images before but I think only in colour, and at least it makes a change from California! My feature shot was taken outside the Medersa Ben Youseff.
In the Jemaa el Fnaa
In the Place des Épices
Traffic on the Rue Riad Zitoun el Jdid
Near the Bahia Palace
Seller in the Place des Épices
In the Place des Épices
In the Rue Riad Zitoun el Jdid
Again in the Rue Riad Zitoun el Jdid
(this street linked the riad where we stayed to the Jemaa el Fnaa so we walked it a lot)
Through an arch to the Rue Riad Zitoun el Jdid
In the Rue Riad Zitoun el Jdid
In the Northern Medina
I last visited Marrakesh in September 2016 when all these photos were taken
25 Comments
thesimlux
These are absolutely beautiful, especially the way you tell the stories of these good people so close and pure. 😊
Anne Sandler
More absolutely wonderful street photography Sarah!
Linda K
Not sure that my other comment went through so I’ll send again. I wouldn’t think of showing these kinds of market photos in monochrome as the markets are usually pictured with so much colour. However it does force the viewer to focus on the people and their interactions rather than the colours surrounding them. It has made me reconsider some of the photos I take in colour and how they might look in monochrome. Thanks!
Linda K
I would never have thought of displaying these kinds of photos in monochrome with market areas always being so alive with colour. However, like you said it does force the focus to be on the people and the interactions instead of the blaze of colour around them. You’ve changed my pespective and how I look at some of my photographs. Thanks!
bushboy
Monochrome is a good choice. You can experience more without the colour distraction
Image Earth Travel
Lovely photos in my favourite medium, Sarah!
Your man in the “In the Northern Medina” looks like the same man selling olives in the Medina. Wander if he’s changed trades. 😉
kzmcb
Informative and thoughtful.
thehungrytravellers.blog
Conveying the essence of that magical, exciting, unique city. Marrakech rocks!
grandmisadventures
I love your candid pictures of people because you capture so beautifully that one moment of their daily life 🙂
EgÃdio
Wonderful!
Teresa
Oh Sarah… this is really something that you do best! Your images in monochrome are very effective.
Monkey's Tale
Having just been to Marrakech, I feel as if I know where each was picture was taken. You captured the people very well. We often had women, but also some men throughout Morocco refuse to have their picture taken. Maggie
Sarah Wilkie
I’m impressed if you can place these shots as I find it a hard city in which to get my bearings! Thank you Maggie 😀
restlessjo
Love the thumbs up!
Sarah Wilkie
I know, so refreshing in a city where it’s sometimes hard to feel welcome (unless you’re shopping!)
Washe Koda
Oh for cool 😎 reminds me of a song from many many yrs ago 🎶🙂
Sarah Wilkie
Thanks – ‘Marrakesh Express’ by any chance?
Washe Koda
Oh My what a memory 🙂
Jim Earlam
Some lovely pictures there Sarah and I like the monochrome. I’ve tended to avoid people pictures, for a man I think there is (sadly but perhaps understandably) a lot of suspicion of motive in the times that we live in.
Sarah Wilkie
Thank you Jim 🙂 I take that point, but my husband is as keen on street photography as I am. I think if you avoid photographing children and possibly young women, you should be OK.
Marie
I always associate Marrakesh with colour but this is a wonderful gallery… Actually they’re very calming as a group – belying the chaos of course in the surrounding alleys!!!
Sarah Wilkie
Thank you Marie – yes, same here! Perhaps that’s why I’ve never previously thought to try these with monochrome edits?
margaret21
These are so effective in b/w. I increasingly prefer portraits in monochrome, and while these aren’t exactly portraits, you’ve certainly packed lot of mood and emotion into them. I love the one of the woman sifting grain. As well as all the others!
Sarah Wilkie
Thanks so much Margaret 😊 I was happy with these shots when I took them, in colour, but revisiting them now in monochrome has been a good exercise. Now I don’t know which version I prefer of each!
margaret21
A good sign! Prefer both!