Monochrome Madness,  Philippines,  Photographic techniques,  Travel galleries

Gallery: to crop or not to crop

John Rosenthal, American photographer

Usually we experiment and settle on a favourite composition. Our decision may be based on what is most pleasing to our eye, and/or on what we want to say with the shot. In a portrait, do we include the setting or focus more tightly on our subject? In a landscape, are there objects in the foreground that will either enhance or detract from the shot? And so on โ€ฆ

But what if we were to choose multiple versions of a shot? How can we shape our choices to tell different stories about the same scene? Thatโ€™s the challenge posed by Leanne for this weekโ€™s Monochrome Madness. I decided to take three very different images from the many I took recently in the Philippines and experiment with different crops. It was a very interesting exercise, forcing me to reconsider why I had taken each shot; whether there was a specific aspect of the scene I wanted to emphasise, and if so, how best to achieve that.

Here are the results; Iโ€™ll be very interested in your views!

I took this shot from the jetty at Miniloc Island, off Palawan Island, where we spent the last few days of our trip relaxing. The full shot can be seen in my header, and was taken quite early in the morning. This crop omits the kayaker, leaving only the more traditional outrigger boat, and places more emphasis on the sky.











I visited the Philippines in February and March 2025 ย 

38 Comments

  • Suzanne@PictureRetirement

    The Star of David was completely lost on me until the crop. Great example of when cropping is a good idea. I would have selected the same crop as you for the chocolate hills. Tourists in a photo is my #1 reason for cropping, although I will change the orientation with a crop when necessary. I appreciate your reasoning along with your examples. Nice work.

    • Sarah Wilkie

      Thank you for the thoughtful reply Suzanne ๐Ÿ™‚ Interestingly I took that Chocolate Hills photo deliberately to show the tourists! I have plenty that I took from the point where they are standing, where it was easy to get photos of the landscape with no people, but I thought it wouldn’t tell the whole story unless I also showed what it was really like there!

  • Amy

    I really like your cropping photos, Sarah! These do give a nice focus/emphasis of the scene. Thank you for showing us the comparisons!

  • Leanne Cole

    I think these are amazing Sarah, but for me the best one is the last one. I think I was even dreaming about that scene last night. You know I really love the last image the most. I think the reason is, because you have made us concentrate only on those crosses, but then there is one that is different, which I didn’t notice in any of the other images. In the other images you focus on all those grave markers and where they are, but you don’t notice that one Jewish marker, I’m assuming it is a Star of David on it. Then that last image is all about that single one and to me that is all I noticed. Fantastic.

    • Sarah Wilkie

      Aw, thanks so much Leanne ๐Ÿ˜Š If you look closely at the wider shots you’ll see several Star of David markers, but you don’t really notice them among so many crosses.

  • grandmisadventures

    It is so interesting just how different a picture can be and feel depending on what is cropped out or left in. I love how you show that in your pictures- one picture becomes 3 completely separate and different pictures with cropping

  • margaret21

    I could, like you, make a case for any of these crops. What you’ve done is show what a difference each makes to how we perceive the shots. They truly each tell a different story, and show that you don’t need AI to muddy the waters – you can do it all by yourself with a judicious crop! Come to the Chocolate Hills – you’ll have them all to yourself! Come and see the Chocolate Hills with an experienced guide, and make lot of new friends while you’re there! And so on. Truly, the camera never lies ….

  • Rose

    The vertical crop in the first set has me imagining weโ€™re about to embark on a sailing adventure. The third crop in the second set certainly gives the illusion of being remote and tranquil. In the third set, the vertical crop of the lone tree in the middle of the grave markers adds to the sense of stoic sadness and loss.

  • Heyjude

    Miniloc Island – the vertical crop works for me, though I actually prefer the original but I would crop out that top part of the sky as I find the brightness distracting. I tried comparing it with your third crop, but there is a difference. The chocolate hills without the tourists, but again I would also crop out that sky as well. With the American Cemetery I like both of the closely cropped images, but I also like the original with the apartment building. As you rightly say, each image tells a different story.

    • Sarah Wilkie

      Thanks so much for these interesting comments Jude ๐Ÿ™‚ I completely take your point about the brightness in the sky in the Miniloc Island shot, I should have considered that as one of my options!

  • Anne Sandler

    I think cropping an image depends on what story the photographer wants to tell. What attracted them in the first place. Your first picture. I like the full landscape best; just the crowd the least. The full landscape tells the entire story and just the crowd tells no story. The boat and kayak. I like the first and last. One gives the story of a potential storm and the other shows the juxtaposition of two different kinds of boats. The graveyard. All your images tell a powerful story of war. I like the vertical crop because the tree is more prominent, trees mean life, amongst the graves. The leading lines still show in this image.

  • restlessjo

    I think we often include more in a shot than is strictly necessary, knowing that it can be cropped afterwards, Sarah. I really liked your first image with the wonderfully moody background but I like the crop to the contrasting 2 boats on the silvery sea too. The close crop of the cemetery is a bit special, I think xx

  • Steve Hyde

    Thatโ€™s an interesting question. Your examples are starting out from an excellent initial image and I think for that reason all the crops work well. I tend to shoot for stock so I usually leave my image as it was taken and then let whoever buys it decide how they want to edit it. Thatโ€™s quite hard to do with some images. I do sometimes crop in to put the subject on a third. That first image is one of those you look at and think โ€˜I wish Iโ€™d shot that.โ€™ ๐Ÿ™‚

    • Sarah Wilkie

      Thank you Steve ๐Ÿ™‚ Yes, shooting stock photos is a very different exercise to shooting for pleasure. And you’re right not to crop them much as a buyer can always do that if needed but can’t ever add back what you’ve taken out! Thanks for the kind words about my first image ๐Ÿ˜Š

  • Monkey's Tale

    Cropping is an artform. I don’t take many pictures, and I don’t process (crop) any of them, that’s Richard’s job. My favourites of these are in order – 3rd, 3rd and 1st. Maggie

Do share your thoughts, I'd love to hear from you! And please include your name in case WP marks you 'anonymous' - thank you