The world as we see it is full of colour. So it may seem counter-intuitive to take black and white photos, but by draining an image of colour you can draw attention to its other qualities. Texture, contrasting tones, patterns and shapes can all be more obvious in a monochrome shot.
Some say that a photo should be a direct representation of what we saw as we clicked the shutter. I say, that is impossible. The eye, like the camera, may see the true picture, but the brain tends to see what it wants to see, and the photo may therefore disappoint.
When you press the shutter on your camera you capture a fleeting moment, and when you share the photograph with others you share that moment. If you play around with a photo enough, it will end up very far from where it started, and yet a trace of that moment remains.
‘There is only one way to see things, until someone shows us how to look at them with different eyes.’ (Pablo Picasso)
Some say the camera never lies. But does it? Even before technology made it possible to alter reality, photographers were playing around with tricks and illusions. Today it is easier than ever to edit an image; to fool the viewer into seeing something that was never there, or not seeing something that was.