I often go on a bit about the weather (I am British after all, and live up to that stereotype at least!) This month has been particularly ‘interesting’ in that respect. We reached pretty much the middle of the month without once seeing the sun, but also without any rain. All we had was gloom!
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October this year has been a month of two halves. In the first half we were in California, road tripping around several stunning national parks, and, for a couple of days at the end of our trip, in Las Vegas. In the second half we were back home, getting over the jetlag, sorting a virtual mountain of photos and picking up the threads of daily life.
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What we in the UK call autumn is known for the most part as fall in the US. On our recent California trip we made sure to comment on the ‘fall colours’! But why the difference?
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We have had plenty of rain this month, including during our anniversary trip to Paris. But we also had a week of Indian Summer, with temperatures in the mid 20s and plenty of sunshine. And it would be premature to talk much of ‘leaves of brown’, although they are starting to turn and some indeed have tumbled down.
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November is NOT one of my favourite months. Yes, there is still plenty of autumn colour, in the first part of the month at least. But here in the UK there are many more dull November days than bright, or so it seems to me. And with the clocks going back at the end of October, darkness falls by late afternoon.
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In his poem 'To Autumn' John Keats describes the autumn we all know and love, with lingering warm weather and bountiful harvests. But he also celebrates later autumn days, when winter seems just over the horizon. Both have their beauty.
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Autumn comes stealthily. A touch of orange on a leaf. A few berries on a tree or bush. Late summer flowers starting to dominate our gardens. Conkers falling and squirrels out foraging in our local parks. It's my favourite season, although I'd like it even more if it weren't followed by winter, my least favourite!
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When the architect Sir John Soane built his weekend retreat, Pitzhanger Manor, in what was then rural Ealing, his aim was to design a showcase for his own idiosyncratic architectural style with its stripped classical detail, radical colour schemes and inventive use of space and light. Here he would entertain some of the most influential people of the day.