Autolycus is a peddler and pickpocket. No one’s possessions are safe when he is around! But what he regards as ‘unconsidered trifles’ may be of great importance to their owner. In the same way what many might see and dismiss as insignificant, a photographer may spot and deem worthy of an image. A photographer too therefore is often a ‘snapper-up of unconsidered trifles’.
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When Ansel Adams said that, 'There are always two people in every picture: the photographer and the viewer' he was of course talking about shots of individuals, but the maxim applies too if there is more than one person in your image. How you choose to portray them defines how the viewer will see them.
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There is something very intriguing about ferns. Almost prehistoric in nature, it is easy when among them to imagine dinosaurs walking the earth. Unsurprising perhaps, as these often-beautiful plants actually predate those dinosaurs!
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Welcome to the ‘strange’ world of northern Norway, where June feels more like January in London and where the photographic rewards are great if you’re happy to brave the chilly fingers needed to press the shutter!
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Much of the Norwegian landscape looked a little unreal to me even in its natural colours. The drama of its mountains, the almost eerie light around midnight, even the snow and rain. All these lent it a magical air.
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One thing that struck me almost immediately about Tirana was its relaxed vibe. Probably because it was a holiday weekend (Orthodox Easter), the cafés and bars were all busy. People were out strolling the streets, meeting friends, enjoying the spring sunshine. As were we!
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It won’t come as a surprise to anyone who follows this blog that I enjoy street photography and also taking more formal portrait shots of some of the people I encounter on my travels. It will also be no surprise that I enjoy playing around with editing. I especially like experimenting with monochrome, which can work well with characterful faces.
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Colombia is one of the most colourful countries I’ve ever visited, possibly the most colourful. So it seems counter-intuitive to present it in black and white. Yet however colourful the destination there are always likely to be at least a few images that I feel merit experimentation. Ones in which form dominates the composition. Ones with strong contrasts and patterns.
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On the shores of the El Peñol-Guatapé Reservoir the infamous Colombian cocaine drug-lord Pablo Escobar built a lavish estate which he named La Manuela, after his daughter.
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There’s a restraint, a rejection of what is not necessary, in Japanese art and architecture. What is left out is as important as, if not more important than, what is put in.
