Bulgaria’s capital city intrigues and charms me. It seems to be in a state of constant flux, built on layers of history. One minute you are walking on a Roman road, the next staring up at 1950s Stalinist monoliths. Gold-domed cathedrals and churches dominate the vistas along wide boulevards while in side streets elegant villas sit side-by-side with their crumbling, neglected cousins.
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According to Sherlock Holmes, 'There must be something comforting about three. People always give up after three.' Hopefully this isn’t true of architects and builders; we would all be very short of homes, schools, offices, etc. etc. if they were to give up after three!
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I doubt you can walk more than ten metres through a traditional Portuguese town and not spot a ceramic tile or several! The unique craft of azulejos portugueses is an unmistakable feature of these lovely old houses. And just as you can’t walk far without seeing them, I find it impossible to walk any distance without photographing some!
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My travels may have been somewhat curtailed in 2021 but I did manage to visit two beautiful cities abroad. One, Paris, is well known to me (this was my seventh visit, I think), while the other, Seville, was new. They proved a rich source of photos, as did my home city of London.
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I wonder which way you usually point your camera? I’m guessing that most of the time, like me, you point it forwards. Maybe you tilt up for a tall building or tree, or downwards to capture a plant or small animal. But what if we were to point it directly upwards or downwards? What would we see?
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I love to travel and see other lands; I love to spend time in the country, time by the sea, time among mountains or deserts. But I am a city girl. I was born in London and this is where I belong.
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On the southern outskirts of the small fishing town of Tarrafel on Santiago, one of the Cape Verde Islands, is a haunting sight. Now a museum, this former concentration camp, also known as Campo da Morte Lenta, commemorates a darker time for the islands, under Portuguese rule.
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Architecture could be said to have begun with geometry. Since earliest times, builders have imitated natural forms, such as circles. Pattern can be found everywhere in nature, and nature knows what it is doing; geometrical shapes are not only pleasing to the eye, they provide strength.
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In the Old Quarter of Hanoi life is lived on the street. Meals are cooked and eaten, food and other goods sold, games played by young and old alike. Shops spill out on to pavements, while rickshaws, cyclo-rickshaws, bicycles, scooters and motorbikes all weave amongst the shoppers and strolling tourists.
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What is it that makes so many doors and windows beg to be photographed? Is it that they intrigue us by hinting at what might lie beyond, if we were to open them? Or more simply, that they provide decoration and interest to what would otherwise be blank walls?
