Is there such a thing as an ordinary object? And is ordinary the same for everyone? One thing that travel teaches is that one person’s ordinary can look extraordinary to another. The things we take for granted in our lives, the little things that make life easier, may not be the same in other parts of the world, or may not exist at all, at least for the average family.
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I have long been fascinated by the roofs of the far east. The ornate figures that line the top edges if a Chinese roof. The intricately carved end tiles of a Japanese temple roof. The delicately painted beams that hold them up. And the steep temple roofs of Indochina.
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The traditional ceremony of Tak Bat, or almsgiving, isn't unique to Laos, or even to Luang Prabang, but has become particularly associated with this town because of the sheer number of temples in a concentrated space. Every morning the monks leave the temples to walk the streets, carrying a pot in which local people place food, usually sticky rice. In this way the monks have food to eat, and the people receive good karma and blessings in return for their giving.
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Our visit to Indochina was only just over two years ago, yet in some ways it feels like a world away. A world barely touched by Covid, in which we didn’t question our ability to travel. Took it for granted, perhaps? Looking back at my photos I wonder why we didn’t realise that the disease already causing deaths and chaos in China would spread to engulf the whole world. Were we like ostriches, our heads in the sand? Or was it such an alien concept that we couldn’t envisage it?
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Every picture tells a story. But sometimes it’s useful to have more than one picture to expand on the narrative. If one picture can tell a story, what more can three tell us? Here I’ve chosen to focus on some impressive buildings I’ve visited around the world. I’ll show you the overall appearance, share a detail that caught my eye and introduce you to a person or people I saw there. Hopefully this will bring these buildings to life in a way a single image could never do.
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Wat Phou is a pre-Angkorian Khmer Hindu temple at the foot of Mount Phou Khao. The Khmer chose this site because the unusual shape of the mountain peak seemed to them to resemble a Shiva linga. Today it was so hazy that the peak was hard to make out, but we had seen it yesterday in the late afternoon sunlight.
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You only have to spend a few hours in Luang Prabang to see why this town regularly tops lists of travellers’ favourite places. Its laid-back vibe, its historic royal palace and perhaps most of all its beautiful Buddhist temples, over 30 in total. What struck me was the way that the monks and tourists co-exist, with full respect among (most of) the latter for the traditions of the former.
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Like many photographers, I shoot quite a lot of images of flowers and that’s the first thing I think of when asked to showcase macro photography (which technically-speaking I don’t do) or close-up photography (which I do a lot). After that, my next thought will be insects. And I already have a few posts here on those lines. So what to do when Amanda asks for close ups and macros for this week’s Friendly Friday Challenge? The following photos are all taken from my travel archives, specifically my early 2020 trip to Indochina. In all of them I tried to…
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I like nothing more than a boat trip. Whether we are by the sea, a lake or a river; if there is an opportunity to get out on the water I will take it. And the smaller the boat, the better. I have little interest in large cruise ships, the so-called ‘floating hotels’. I want to feel the movement, maybe reach out and dip my hand in the water, or feel the spray on my face as we cut through the waves.
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The scent of wood smoke hangs in the air. Children play in the dusty soil. Small pigs, chickens and dogs wander at will between the wooden houses. And inside one a blacksmith is at work, shaping a machete over glowing coals. This is Phou Taen Khamu, home to some of the Khamu people, one of Laos’ minority ethnic tribes.
