Often I observe some with a phone or camera taking a single photo of a sight and moving on, in a hurry to reach the next. In the pre-digital days when every picture taken meant a hit to your wallet, that made some sense. Today it strikes me as strange, but then I am rarely happy with my first shot of anything!
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Isn’t every outing with a camera a kind of treasure hunt? Looking all around you as you walk/drive/ride for any opportunity to take a photo, just as a treasure hunter is alert to any sign that what they seek lies just underfoot.
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How do you photograph opposites? You can combine them in a single photo, as in the black and white zebras above. Or you can pair photos to show two extremes.
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It’s hard to ignore the Tour Montparnasse. This 210 metre high skyscraper dominates the skyline on the southern fringes of central Paris. Its monolithic appearance has often been criticised as incongruous or inappropriate for this proudly elegant city.
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How many different kinds of transportation can you think of? The obvious include bikes, cars, planes, trains, boats. Of course our own two feet are a means of transport. Then there are the animals pressed into service such as horses, camels and donkeys. All over the world people make different transport choices depending on local customs and resources.
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Somehow, getting up early to watch a sunrise is so much easier when travelling. Of course it helps that the setting is usually both more beautiful and more interesting than the rooftops of our London suburbs above which we would normally see it rise.
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There may be poetry in motion, but it’s not necessarily easy to capture that poetry in a still photograph. Despite that, we all try from time to time, and there are various techniques we can use.
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For those of us who grew up in the sixties, groovy was the feeling we all aspired to. Groovy was exciting, fun, cool (another sixties word!) Too young to really be part of hippy culture, it nevertheless influenced my tastes in fashion and music. Getting ‘in the groove’ was where I wanted to be, even if as a schoolgirl I was probably very far from being so!
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How good are you being self-critical when it comes to your photography? Can you easily pick out the best of your shots and are you comfortable rejecting those that have been less successful? I confess I’m pretty rubbish at it.
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Salvador Dali said that, 'Surrealism is destructive'. It seems counter-intuitive to think of art as destructive, when it is such a creative process. Surely the purpose of art is to construct? And photography, as an art-form, creates or constructs a record of a moment in time. So perhaps to apply Dali’s definition of Surrealism to our photography, we need to partially destroy our images and distort that record in post-production?
