All through the centuries powerful rulers have erected monuments and building that demonstrate their own sense of self-importance and yes, their narcissism. ‘Look at me, see how mighty I am’, these structures seem to say. And at the time those rulers were indeed mighty. But time passes and their power with it
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If it is true that light is the key to photography, surely it is especially the case that it is key to drama in photography. The most dramatic photos are often those with the most interesting light, and with strong contrasts between light and dark.
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I find it really difficult to pick favourite photos, at least when it comes to my own. So much depends on my mood, on my associations with the photo (where I was, how I felt at the time); it’s hard to be objective. Other people of course don’t have those associations, for the most part. Maybe it’s easier therefore to rely on their judgement?
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None of us knows what is around the corner. And as time passes, the pressure to do all that we want to before old age (or worse!) prevents us from doing so grows. For those of us who love travelling that can mean a sense of urgency, trying to fit in all the countries we most want to see.
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We travel of course to see the big sights. We want to see for ourselves the Colosseum in Rome, the Eiffel Tower in Paris, the Empire State Building in New York. We want to marvel at the height of the Alps or Himalayas, the endless sands of the Sahara, the dense rainforests of Amazonia. But what we sometimes remember just as much are the people we meet along the way.
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Did you know that there is a World Lemur Day? No, nor did I, until we happened to find ourselves in Madagascar on the last Fridy of October which is when it is celebrated. It was wonderful in any case to be able to view these beautiful animals in their natural setting, but especially so to do so on their special day!
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It may seem contradictory to suggest that we photograph empty space. Shouldn’t a photo be OF something? But if we set our subject against a large area of relative emptiness and create ‘breathing room’ around our subject, we can help the viewer to see that subject differently.
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When you first start using a camera, the tendency is to look straight ahead at a scene. We get caught up in what we see right in front of us. We may look ahead, to the left and right, down and even behind us, but many times we forget to look up.
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In photography, when you choose to fill the frame with your subject, leaving out everything that surrounds it, you remove all distractions and by doing so force the viewer to look only at this one thing. This can be very impactful.
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While I sometimes enjoy the harmony of a perfectly symmetrical shot, on the whole I find the asymmetrical more interesting. An image that is off-centre is more dynamic and encourages the eye to explore rather than settling in one spot.
