Sometimes little details can be as evocative as the complete picture, and perhaps never more so than when contemplating the past. Visiting the iconic sites of Herculaneum and Pompeii back in 2007 I found myself as intrigued by the small details of life in these cities as I was in the grand civic buildings.
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When the Shard opened in London in 2012 it did so to quite a fanfare, and to a rather damp squib (in my view) of a laser show. But despite the laser show disappointing, the tower never has. Although not to everyone’s taste (the fractured ‘shards’ at the top that give it its name divide opinion), I have always found it striking.
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No two skies are the same, and no single sky stays the same for long. Maybe that’s why, as photographers, we are so drawn to capture them? An ever-evolving, ever captivating subject that is available to us all. We only have to look up!
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Opinion is divided on street art / graffiti. Some consider it vandalism, others (including me) enjoy the way it brightens a city. Great street art can be beautiful; it can make you think; it can transform a district. So of course I was on the lookout for street art in Tirana, as I am everywhere I go.
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It’s not too difficult to take a photograph of an object, person, animal or scene. Choose your subject, point your camera and press the shutter. A modern camera (or phone) will do all the work for you in terms of making sure the subject is in focus and well exposed. But how do you photograph a mood?
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Lighting is everything in photography. It can make an ordinary subject look intriguing, while the lack of it can make an interesting one look dull. Light that falls on your subject from the front will make it look flat and two dimensional. Side lighting is more interesting, creating shadows and bringing out textures. The last option is backlighting, which can be beautiful and dramatic.
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Enver Hoxha's regime may be a thing of the past but traces of it remain in odd corners of Tirana, such as this book spotted in the city's flea market.
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My own 'natural' environment is a city. I grew up in London and have lived there most of my adult life too. I enjoy the buzz of city life and the easy access to a wide range of restaurants, galleries and other culture. But when I travel I like to experience totally different environments.
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When the sun is low in the sky we may feel its heat a little less, but we see it more clearly. The glow of early morning, or just before sunrise, adds warmth to our images. They absorb and reflect its light, taking on a glow of their own.
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If tricks are the practice of fools, where does that leave trick photography? The genre is nearly as old as photography itself. Did those early experimenters pave the way for today’s explosion of in-camera and post-editing trickery?
