One thing that struck me almost immediately about Tirana was its relaxed vibe. Probably because it was a holiday weekend (Orthodox Easter), the cafés and bars were all busy. People were out strolling the streets, meeting friends, enjoying the spring sunshine. As were we!
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Colombia is one of the most colourful countries I’ve ever visited, possibly the most colourful. So it seems counter-intuitive to present it in black and white. Yet however colourful the destination there are always likely to be at least a few images that I feel merit experimentation. Ones in which form dominates the composition. Ones with strong contrasts and patterns.
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There’s a restraint, a rejection of what is not necessary, in Japanese art and architecture. What is left out is as important as, if not more important than, what is put in.
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If you take a walk along the Quayside in Newcastle you are unlikely to miss the striking building on the far side of the Tyne, in Gateshead. Situated in the shadow of the Tyne Bridge this is a concert venue with two main auditoria, a rehearsal space, a music education centre and a leisure destination with several bars and eating places. It is also a must-see, and must photograph, building!
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When I travel I always want not just to capture the big ‘sights’ but also the tiny details. I often photograph something that perhaps could be found anywhere: a leaf, a stone wall, a ripple on the water. But I found it here in THIS place and I want to capture it.
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Speaking figuratively, Sofia is not a black and white city. Its history is too complex, its architectural influences too diverse. But like any city it lends itself to black and white photography.
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Paris, like most cities, is full of colour. Street art, flower markets, shop windows, mellow old stone, green (or autumnal) trees … I could go on. But it is also full of striking details that translate well to monochrome images.
