There’s something about both windows and doors that draws many photographers to capture them, isn’t there? Maybe it’s the intrigue of not knowing what lies within. Or perhaps it’s simply that their geometry is pleasing to the eye.
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If you cannot see a feeling, how can you photograph it? The answer is, by proxy. You photograph something that will evoke that feeling in the viewer, and/or you photograph a person evidently displaying that feeling.
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It would be unusual if we weren’t motivated to pick our camera when we see a beautiful flower, an awe-inspiring landscape, an attractive or characterful person, an elegant building. But it would be a shame to restrict our photography only to those more obvious subjects. We can also look for the photogenic in everyday objects, looking at them with fresh eyes to appreciate their forms and textures.
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Dereliction and decay are natural subjects for black and white photography. The lack of colour adds to a sense of aging, perhaps because we associate it with the photos taken by past generations. Also, the textures of decay stand out more when colour is subtracted.
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As one of my abiding memories of Chicago will be of the architecture, especially the variety in age and style of its skyscrapers, I can’t help but agree with Frank Gehry. He said of the city that, 'Chicago’s one of the rare places where architecture is more visible'.
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On our recent visit to Paris much of the time we simply walked. With no need to tick off the famous sights we instead strolled some of our favourite streets, explored new ones and checked out some less well-known places.
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The terms ‘black and white’ and ‘monochrome’ are often used synonymously in photography. But when you consider the meaning of the latter you quickly realise that they need not be the same thing. A black and white photo can be described as monochrome, but a monochrome image isn’t necessarily black and white. Monochrome simply means ‘one colour’, so any photo dominated by shades of a single colour can be said to be monochrome.
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It’s August, so where better place to be than the English seaside? Although truth be told I like our coastal areas much more in the winter months and maybe even more so in spring and autumn.
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When I first started visiting in the early 1980s Newcastle did seem like a city in black and white. Once a great industrial hub it had been hard hit by the closure of the shipyards and coal mines of the region.
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Much of the Norwegian landscape looked a little unreal to me even in its natural colours. The drama of its mountains, the almost eerie light around midnight, even the snow and rain. All these lent it a magical air.
