Everyone will tell you that Thamel isn’t the REAL Kathmandu. It was once backpackers central, and today is home not only to hostels but to increasingly smart hotels. But between the tourist-focused delights is enough local colour to demonstrate that you are indeed ‘a long way from home’.
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Our visit to Indochina was only just over two years ago, yet in some ways it feels like a world away. A world barely touched by Covid, in which we didn’t question our ability to travel. Took it for granted, perhaps? Looking back at my photos I wonder why we didn’t realise that the disease already causing deaths and chaos in China would spread to engulf the whole world. Were we like ostriches, our heads in the sand? Or was it such an alien concept that we couldn’t envisage it?
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Bulgaria’s capital city intrigues and charms me. It seems to be in a state of constant flux, built on layers of history. One minute you are walking on a Roman road, the next staring up at 1950s Stalinist monoliths. Gold-domed cathedrals and churches dominate the vistas along wide boulevards while in side streets elegant villas sit side-by-side with their crumbling, neglected cousins.
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Jean Cocteau said that, 'In Paris, everybody wants to be an actor; nobody is content to be a spectator'. I disagree. For me, there are few more pleasurable ways to pass the time in Paris than sitting on the terrace of a pavement café watching the world pass by.
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The Marais is one of the loveliest and most fashionable districts of Paris. The name means ‘marshland’ because the original village here was built on a marsh, but there are no signs of that these days! Instead there are elegant buildings, pretty squares and of course the Parisian staples of great little cafés.
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Thomas Jefferson said, 'The most valuable of all talents is that of never using two words when one will do.' This is a maxim I would do well to follow, but I too rarely succeed in doing so.
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We could all use a laugh from time to time, and maybe more than ever over the last few years. It seems to be part of human nature to look for humour in the darkest times.
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March has been a quiet month for photography, on the whole. It started slowly as I searched, sometimes in vain, for subjects that inspired me. Then halfway through the month spring started to arrive. Trees burst into blossom, shortly followed by my beloved magnolias.
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It seems to me that holding a camera gives a lot of people a sense of freedom. They appear more relaxed, less constrained by their surroundings. So what a great opportunity that is for the rest of us who are also carrying a camera with an eye to some street photography!
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When I photograph street art I am conscious that for the most part the success of the image depends on the quality of the piece of art itself, and that any creativity involved is that of the original artist, not mine as a photographer. So I often try to create something new by involving a passer-by, or two.
